When you least expect it, Nature has cunning ways of findings our weakest spot. Just remember: I’m here. Right now you may not want to feel anything; may you never want to feel anything. And maybe it’s not me that you will want to speak about these things but, Feel something you did. Look… You had a beautiful friendship, maybe more than a friendship, and envy you. In my place, most guardians would hope the…..
Benchmark equity indices BSE Sensex and NSE Nifty extended their losses for the second straight session on 27th January amid heavy selling in index heavyweights including Reliance Industries, Adani Enterprises and Adani Ports among others. The 30-share index Sensex traded over 1,800 points down at 59,108 against the 60,978.75 mark on January 24, 2023. Likewise, the 50-share NSE Nifty index retreated more than 550 points to 17,566 from 18,118 during the same period.
Selloff in Adani Group companies’ stocks, that was triggered by the Hindenburg Research report, which disclosed that the company was short on Adani Group companies could be factor behind the market crash. Sentiments came under pressure after the United Nations on 25th January cut down India’s growth forecast by 20 basis points to 5.8 per cent for the ongoing calendar year due to higher interest rates and risks of recession in the developed world weighing on investment and exports.
If you wish to learn more about stock market, then explore wiki-360.com
An investor’s portfolio consists of various financial instruments like stocks, exchange traded funds (ETFs), mutual funds and bonds. However, the Options are altogether different. Options are used in different ways depending upon investors’ goals and how they plan to use them. Investors often use options to reduce the risk associated with the stock they have in their portfolio. Similarly, others may use options to earn additional income. Most importantly, options provide an opportunity to traders or investors to benefit from the price movement without paying the full price of a security or taking delivery.
In India, the National Stock Exchange (NSE) launched index options on 4 June 2001, and stock options were launched on 4 July 2001. In the year 2020, NSE also surpassed America’s Chicago Mercantile Exchange to become the world’s largest derivatives market exchange by volume.
What are options?
Options are defined as derivatives instruments that enable the buyer (holder or owner) of the instrument to buy or sell the underlying asset. The right to buy or sell is without any obligation. The seller of the option is, however, obligated to buy or sell, should the buyer exercise his or her right.
Simply put, option trading includes:
A right to buy or sell, but not an obligation
Buy or sell at predetermined price
Buy or sell on or before predetermined date
Types of options
There are two types of options: Call and Put. A call option gives the buyer the right to “buy” the underlying security but not the obligation to do so at a predetermined price and date. A put option gives the buyer the right to “sell” the underlying security but not the obligation to do so at a predetermined price and date.
How does options trading work?
Before we come to the options trading guide, a beginner must understand the two essential derivativesconcepts — long and short. When a trader goes long on an index or a stock, it means he or she believes that the price of the underlying will increase. On the contrary, if the trader goes short on any index or a stock, it means he or she believes that the price of the underlying will fall.
Benchmark equity indices BSE Sensex and NSE Nifty extended their losses for the second straight session on 27th January amid heavy selling in index heavyweights including Reliance Industries, Adani Enterprises and Adani Ports among others. The 30-share index Sensex traded over 1,800 points down at 59,108 against the 60,978.75 mark on January 24, 2023. Likewise, the 50-share NSE Nifty index retreated more than 550 points to 17,566 from 18,118 during the same period.
Selloff in Adani Group companies’ stocks, that was triggered by the Hindenburg Research report, which disclosed that the company was short on Adani Group companies could be factor behind the market crash. Sentiments came under pressure after the United Nations on 25th January cut down India’s growth forecast by 20 basis points to 5.8 per cent for the ongoing calendar year due to higher interest rates and risks of recession in the developed world weighing on investment and exports.
If you wish to learn more about stock market, then explore wiki-360.com
An investor’s portfolio consists of various financial instruments like stocks, exchange traded funds (ETFs), mutual funds and bonds. However, the Options are altogether different. Options are used in different ways depending upon investors’ goals and how they plan to use them. Investors often use options to reduce the risk associated with the stock they have in their portfolio. Similarly, others may use options to earn additional income. Most importantly, options provide an opportunity to traders or investors to benefit from the price movement without paying the full price of a security or taking delivery.
In India, the National Stock Exchange (NSE) launched index options on 4 June 2001, and stock options were launched on 4 July 2001. In the year 2020, NSE also surpassed America’s Chicago Mercantile Exchange to become the world’s largest derivatives market exchange by volume.
What are options?
Options are defined as derivatives instruments that enable the buyer (holder or owner) of the instrument to buy or sell the underlying asset. The right to buy or sell is without any obligation. The seller of the option is, however, obligated to buy or sell, should the buyer exercise his or her right.
Simply put, option trading includes:
A right to buy or sell, but not an obligation
Buy or sell at predetermined price
Buy or sell on or before predetermined date
Types of options
There are two types of options: Call and Put. A call option gives the buyer the right to “buy” the underlying security but not the obligation to do so at a predetermined price and date. A put option gives the buyer the right to “sell” the underlying security but not the obligation to do so at a predetermined price and date.
How does options trading work?
Before we come to the options trading guide, a beginner must understand the two essential derivativesconcepts — long and short. When a trader goes long on an index or a stock, it means he or she believes that the price of the underlying will increase. On the contrary, if the trader goes short on any index or a stock, it means he or she believes that the price of the underlying will fall.
Adapting material from some origin is not something new that the film industry invented. Classical Greek playwrights adapted myths that had been passed in through oral tradition. And as soon as the cinematographers recognized that presenting a story in moving picture required “good story”, so they started adapting story from novels, plays, short stories. Robert Stam discusses different sources of hostility towards the practice of adaptation. According to him, many have long viewed literature as being superior to film. He goes on to analyze the process of adaptation and the ways in which tie and space are used differently in the two mediums. As per his view, “fidelity in adaptation is literally impossible. A filmic adaptation is automatically different and original due to the change of medium.”
(Downloaded from Google.com)
‘Macbeth’ is one of the finest and acclaimed works by Shakespeare. The play also has an easy to understand plot line which has lent itself to numerous adaptations.
(Downloaded from Google.com)
And one of those notable adaptations is the ‘Throne of Blood’by Akira Kurosawa set in feudal Japan. Needless to mention that the central themes of the movie consist of tragedy, treachery, credulity and fallacy. However, to commence with the dissimilarities between the play Macbeth and Kurosawa’s movie, one among the other possible differences is their depictions of the battle at the opening stages of the plot.
(Downloaded from Google.com)
The play Macbeth opens with grotesque imagery of the revolt, and the weather all muddles up, as informed by the witches seen in medias res (amidst) of their conversation. The captain reporting about the battle even describes Macbeth as unseeming one of his opponents. This type of gory imagery, however, is nowhere to be found at the start of Kurosawa’s film ‘Throne of Blood’,
(Downloaded from Google.com)
instead it opens with the vast fog with a seemingly deserted and peaceful castle depicted behind the fog with a lamenting song, “Look upon the ruins of the castle of delusion haunted…”. It also features various captains reporting about the battle, but there are no depictions about the battle. The use of fog and the lack of violence, in the opening scene, set an uncertain tone for the rest of the film, and Washizu is not seen killing anyone that makes his future actions even more shocking. In fact, we witness Washizu’s innocence when he strongly resists the prophecy. As wherein Macbeth, the brutal portrayal of the battle in the beginning set a violent and dark tone right away, and thus, it makes Macbeth’s future killings somewhat less surprising. The shock factor of Washizu’s actions is also due o the fact that there are no witches at the start of the movie.
(Downloaded from Google.com)
On the other hand, we encounter that the witches start the play by invoking the name of Macbeth, leaving a sense of suspicion in the mind of the reader that Macbeth may not be who he appears. In the movie, three witches are replaced with a single-spirit who is seen chanting a song that introduces Japanese traditions, Buddhism and feelings of humanity. The song mentioning karma and reincarnation comes straight from the Buddhist beliefs.
Kurosawa’s Throne of Blood and Shakespeare’s Macbeth also differ greatly in their portrayals of Lady Macbeth and Lady Asaji respectively.
(Downloaded from Google.com)
In the play, Lady Macbeth makes her presence and intentions felt in her very first moments. She states, “Fill me from the crown to the toe topful of direst cruelty. Me thick my blood. Stop up the access and passage to remorse.” This quotation by her immediately warns the reader of her growing plans of evil.
(Downloaded from Google.com)
Contrarily, in the movie, Lady Asaji (the equivalent to Lady Macbeth) makes it much more subtle entrance. She is first seen sitting peacefully in Washizu’s castle appearing as submerged in deep contemplation. Throughout her attempts to convince Washizu to kill Tshuzuki, she remains completely sedentary and shows no sign of any emotion, unlike Lady Macbeth who passionately uses strong imagery and vehement speech to ty to persuade Macbeth. And Asaji’s fixed expressions portray the use of Noh mask. As far as the movie is concerned, predominantly the character of Asaji, Kurosawa has adopted the aesthetic of the Noh elements.
(Downloaded from Google.com)
It’s a cultural asset of Japanese theatre. It’s a classical form of dance-drama originated in Japan, and is popular since 14th century. There are several types of these masks used in Japanese theatre. And surprisingly, they are used by Kurosawa commendably through dramatis personae of Asaji. Director Kurosawa was overwhelmingly magnetized by Noh, “I like [Noh] because it is the real heart, the core of all Japanese drama. Its degree of compression is extreme, and it is full of symbols, full of subtlety. It is as though the actors andthe audience are engaged in a kind of contest and as though this contest involves the entire Japanese cultural heritage . . . I wanted to use the way that Noh actors have of moving their bodies, the way they have of walking, and the general composition which the Noh stage provides.” (Extracted from an article by Minae Yamamoto Savas)
Lady Macbeth does not give Macbeth much of a reason to kill Duncan other than to solely attain power. Lady Asaji, on the other side, presents Washizu with the idea that Miki will inform about the prophecy to Tsuzuki that Washizu will ascend to the throne which in turn will lead to Washizu’s death at the hands of Tsuzuki. Despite her reserved nature, she is very deceptive and possesses contriving persona as she uses the prophecy of the witch to implant fear in the mind of Washizu. She also tries to justify the killing of Tsuzuki because Tsuzuki himself attained his throne by murdering someone, and also attempts to convince him that deep down Washizu himself carrying and watering the ambition to attain power, which is also the first time that she looks directly at him in the film. Lady Asaji like Lady Macbeth is a strong evil presence although she is portrayed in a much different manner.
Another difference between the movie and the play is existence of the lack of recognition of eternal ramification for Washizu’s actions in the movie, whereass, in the play, apprehension regarding the afterlife plays a prominent role in Macbeth’s psychological struggles with respect to his decision to kill Duncan.
(Downloaded from Google.com)
In Act 2, scene 1, Macbeth states, “I go, and it is done. The bell invites me. Hear it not Duncan, for it is a knell that summons thee to heaven or to hell.” He knowingly chooses temporal power on earth rather than eternal glory in heaven, a decision that he later realizes that he cannot undo which leads to his supposedly eternal damnation in hell. And in Kurosawa’s Throne of Blood, however, heaven and hell are never referred to. This is ofcourse largely because of the film’s Japanese origin. Instead, it’s Washizu’s contemplation of the goodness of his friend Miki that drives his inner conflict perpetrated by his wife.
The adaptation of literary works into films do distorts the original text. But we should not forget that these adaptations, like what Kurosawa did, are filmed establishing the text on different period of time, background, and geo-political settings. Although film was initially regarded by some as sucking the life out of a literary text, a view forcefully articulated by Theodore Dreiser in 1932, “Film adaptation of novels is not so much a belittling as a debauching process, which works harm to the mind of the entire world. For the debauching of any good piece of literature is – well, what? Criminal? Ignorant? Or both? I leave it to the reader.”
Adapting material from some origin is not something new that the film industry invented. Classical Greek playwrights adapted myths that had been passed in through oral tradition. And as soon as the cinematographers recognized that presenting a story in moving picture required “good story”, so they started adapting story from novels, plays, short stories. Robert Stam discusses different sources of hostility towards the practice of adaptation. According to him, many have long viewed literature as being superior to film. He goes on to analyze the process of adaptation and the ways in which tie and space are used differently in the two mediums. As per his view, “fidelity in adaptation is literally impossible. A filmic adaptation is automatically different and original due to the change of medium.”
(Downloaded from Google.com)
‘Macbeth’ is one of the finest and acclaimed works by Shakespeare. The play also has an easy to understand plot line which has lent itself to numerous adaptations.
(Downloaded from Google.com)
And one of those notable adaptations is the ‘Throne of Blood’by Akira Kurosawa set in feudal Japan. Needless to mention that the central themes of the movie consist of tragedy, treachery, credulity and fallacy. However, to commence with the dissimilarities between the play Macbeth and Kurosawa’s movie, one among the other possible differences is their depictions of the battle at the opening stages of the plot.
(Downloaded from Google.com)
The play Macbeth opens with grotesque imagery of the revolt, and the weather all muddles up, as informed by the witches seen in medias res (amidst) of their conversation. The captain reporting about the battle even describes Macbeth as unseeming one of his opponents. This type of gory imagery, however, is nowhere to be found at the start of Kurosawa’s film ‘Throne of Blood’,
(Downloaded from Google.com)
instead it opens with the vast fog with a seemingly deserted and peaceful castle depicted behind the fog with a lamenting song, “Look upon the ruins of the castle of delusion haunted…”. It also features various captains reporting about the battle, but there are no depictions about the battle. The use of fog and the lack of violence, in the opening scene, set an uncertain tone for the rest of the film, and Washizu is not seen killing anyone that makes his future actions even more shocking. In fact, we witness Washizu’s innocence when he strongly resists the prophecy. As wherein Macbeth, the brutal portrayal of the battle in the beginning set a violent and dark tone right away, and thus, it makes Macbeth’s future killings somewhat less surprising. The shock factor of Washizu’s actions is also due o the fact that there are no witches at the start of the movie.
(Downloaded from Google.com)
On the other hand, we encounter that the witches start the play by invoking the name of Macbeth, leaving a sense of suspicion in the mind of the reader that Macbeth may not be who he appears. In the movie, three witches are replaced with a single-spirit who is seen chanting a song that introduces Japanese traditions, Buddhism and feelings of humanity. The song mentioning karma and reincarnation comes straight from the Buddhist beliefs.
Kurosawa’s Throne of Blood and Shakespeare’s Macbeth also differ greatly in their portrayals of Lady Macbeth and Lady Asaji respectively.
(Downloaded from Google.com)
In the play, Lady Macbeth makes her presence and intentions felt in her very first moments. She states, “Fill me from the crown to the toe topful of direst cruelty. Me thick my blood. Stop up the access and passage to remorse.” This quotation by her immediately warns the reader of her growing plans of evil.
(Downloaded from Google.com)
Contrarily, in the movie, Lady Asaji (the equivalent to Lady Macbeth) makes it much more subtle entrance. She is first seen sitting peacefully in Washizu’s castle appearing as submerged in deep contemplation. Throughout her attempts to convince Washizu to kill Tshuzuki, she remains completely sedentary and shows no sign of any emotion, unlike Lady Macbeth who passionately uses strong imagery and vehement speech to ty to persuade Macbeth. And Asaji’s fixed expressions portray the use of Noh mask. As far as the movie is concerned, predominantly the character of Asaji, Kurosawa has adopted the aesthetic of the Noh elements.
(Downloaded from Google.com)
It’s a cultural asset of Japanese theatre. It’s a classical form of dance-drama originated in Japan, and is popular since 14th century. There are several types of these masks used in Japanese theatre. And surprisingly, they are used by Kurosawa commendably through dramatis personae of Asaji. Director Kurosawa was overwhelmingly magnetized by Noh, “I like [Noh] because it is the real heart, the core of all Japanese drama. Its degree of compression is extreme, and it is full of symbols, full of subtlety. It is as though the actors andthe audience are engaged in a kind of contest and as though this contest involves the entire Japanese cultural heritage . . . I wanted to use the way that Noh actors have of moving their bodies, the way they have of walking, and the general composition which the Noh stage provides.” (Extracted from an article by Minae Yamamoto Savas)
Lady Macbeth does not give Macbeth much of a reason to kill Duncan other than to solely attain power. Lady Asaji, on the other side, presents Washizu with the idea that Miki will inform about the prophecy to Tsuzuki that Washizu will ascend to the throne which in turn will lead to Washizu’s death at the hands of Tsuzuki. Despite her reserved nature, she is very deceptive and possesses contriving persona as she uses the prophecy of the witch to implant fear in the mind of Washizu. She also tries to justify the killing of Tsuzuki because Tsuzuki himself attained his throne by murdering someone, and also attempts to convince him that deep down Washizu himself carrying and watering the ambition to attain power, which is also the first time that she looks directly at him in the film. Lady Asaji like Lady Macbeth is a strong evil presence although she is portrayed in a much different manner.
Another difference between the movie and the play is existence of the lack of recognition of eternal ramification for Washizu’s actions in the movie, whereass, in the play, apprehension regarding the afterlife plays a prominent role in Macbeth’s psychological struggles with respect to his decision to kill Duncan.
(Downloaded from Google.com)
In Act 2, scene 1, Macbeth states, “I go, and it is done. The bell invites me. Hear it not Duncan, for it is a knell that summons thee to heaven or to hell.” He knowingly chooses temporal power on earth rather than eternal glory in heaven, a decision that he later realizes that he cannot undo which leads to his supposedly eternal damnation in hell. And in Kurosawa’s Throne of Blood, however, heaven and hell are never referred to. This is ofcourse largely because of the film’s Japanese origin. Instead, it’s Washizu’s contemplation of the goodness of his friend Miki that drives his inner conflict perpetrated by his wife.
The adaptation of literary works into films do distorts the original text. But we should not forget that these adaptations, like what Kurosawa did, are filmed establishing the text on different period of time, background, and geo-political settings. Although film was initially regarded by some as sucking the life out of a literary text, a view forcefully articulated by Theodore Dreiser in 1932, “Film adaptation of novels is not so much a belittling as a debauching process, which works harm to the mind of the entire world. For the debauching of any good piece of literature is – well, what? Criminal? Ignorant? Or both? I leave it to the reader.”
The study published in Nature Geoscience states that the globally consistent pattern suggests that inner-core rotation has recently paused. The rotation came to a grinding halt in 2009 and then it surprisingly turned in an opposite direction. Researchers have long believed that the inner core rotates, relative to the Earth’s surface, back and forth, like a swing.
“This globally consistent pattern suggests that inner-core rotation has recently paused,” they wrote. “We show surprising observations that indicate the inner core has nearly ceased its rotation in the recent decade and may be experiencing a turning-back.”
With a radius of almost 2,200 miles, Earth’s core is about the size of Mars. It consists mostly of iron and nickel, and contains about one-third of Earth’s mass.
The study published in Nature Geoscience states that the globally consistent pattern suggests that inner-core rotation has recently paused. The rotation came to a grinding halt in 2009 and then it surprisingly turned in an opposite direction. Researchers have long believed that the inner core rotates, relative to the Earth’s surface, back and forth, like a swing.
“This globally consistent pattern suggests that inner-core rotation has recently paused,” they wrote. “We show surprising observations that indicate the inner core has nearly ceased its rotation in the recent decade and may be experiencing a turning-back.”
With a radius of almost 2,200 miles, Earth’s core is about the size of Mars. It consists mostly of iron and nickel, and contains about one-third of Earth’s mass.
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