The Mauryan contribution to art and architecture was significant. Ashoka is known to
have built 84,000 stupas to commemorate various events of Buddha’s life. According to
Megasthenes, Pataliputra’s grandeur matched that of the cities of Persia.
Ashokan edicts were inscribed on stone pillars that were made of single columns of polished
sandstone and had capitals on their top. The best preserved of all Ashokan edicts stands
at Lauriya Nandangarh (Bihar). This thirty-two feet tall column has an almost fifty ton
seated lion capital placed on its top, an engineering feat worth admiring. The bull capital
from Rampura is also another fine example of Mauryan sculpture. The most famous capital
is the one at Sarnath, which shows four lions and the Dharmachakra. You must be familiar
with this as this has been adopted as the national emblem of the Republic of India.
Besides pillars, few Mauryan figures have also come to light. The most well known of
these is the Yakshi from Didarganj. The beauty of these figures lies in the exactness of their
workmanship and in the fact that they. appear to be made from one single stone. Like the
pillars, these figures are polished with a unique surface gloss (now called Mauryan polish).
You will be amazed to know that despite all these centuries this gloss has not lost its shine.
Besides the language that has been used in nearly all the inscriptions and Prakrit which
appears to have become the lingua franca of the country and in the Brahmi script the
earliest known Indian script.
Another noteworthy aspect of Mauryan architecture is the rock cut caves. The Lomash
Rishi (with its impressive entrance) and the Sudama caves are examples of such architecture.
These caves cut from solid rock were provided by Ashoka for non-Buddhist monks.
These caves marked the beginning of the rock cut architecture which was patronised by
later rulers too. His rock edicts were inscribed in the local language and the local script
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