using mobile learning to stimulate critical thinking

I am a little behind the eight ball with my responses to the discussions, so you are forgiven if this topic is well forgotten. I was intrigued to read about the M4Lit project where phones are being used to engage teens in creative storytelling and interactive writing. Sabine has responded on the group email with a great post discussing the merits of reading and writing for stimulating critical thinking. \” … reading and writing is the most important, and most efficient way to develop critical thinking\”. Here I am using material from my Doctorate thesis (in progress) to support this claim. For example, Menary (2007) claims “writing is thinking” (p. 361) because writing helps to re-structure and manipulate a person\’s thoughts.

However, there is also the belief that guided thinking needs to occur before writing reflectively and critically, using dialogue for stimulating critical thinking. In any case, I believe it is important to develop critical thinking skills, but these may or may not be associated with the capacity to write reflectively and critically. If a tool such as a mobile phone can capture the interest of students to engage in activities which stimulate critical thinking this is a good thing. I don\’t believe we should despair if reading and writing is not a component, because critical thinking can also occur when viewing multimedia, and engaging in conversations – if the right prompts are in place. There is plenty of evidence that guided reflection can stimulate critical reflection (Fook & Gardner, 2007; Reiman, 1999). In my opinion, we need to move away from reading and writing as the only way to see evidence of critical thinking, and embrace other exciting methods of stimulating evidence of critical thinking.

It may well include writing, but for example, if students uploaded images to Flickr, or Youtube or their blog or ePortfolio etc, and using quiding questions were encouraged to reflect critically on the meaning of the images or video sequence, they could write or speak (through using an audio recording) or video to describe the meaning of the image or video, or other material, wouldn\’t this be more fun than preparing the traditional essay? All this could be done directly from their mobile phone.

"What Is Graphicacy?" — An Essential Literacy Explained In An Animated Motion Graphic

What Is Graphicacy? from The ASIDE Blog on Vimeo.

We live in a visual world. Smartphones, television, Internet, and social media all push information in real-time, all the time. Visual media bombard us in constant streams. Learners of every age, therefore, need to understand how to analyze pictorial information. This skill of parsing images, interpreting pictures, and decoding diagrams is known as graphicacy.

The motion graphic (or explainer video) in this post describes the many reasons for graphicacy education. Maps, cartoons, and photographs all feature symbolic cues and metaphoric elements. An animated infographic itself can become a conduit for graphic instruction.

Sixty-five percent of people today identify as visual learners. In fact, the brain processes optic inputs 60,000 times faster than text. Yet schools and scholarship rarely apply the tools and time to train people how to understand all of these visual streams.

Source: ASIDE 2015

The Key To Visual Thinking In A Differentiated Classroom

Graphicacy stands with literacy, oracy, and numeracy as one of the four indispensable corners of education. It dates to W.G.V. Balchin‘s coinage of the term in the 1960s to identify the visual-spatial aspect of human intelligence. What began as a staple of South African geography education has ballooned in importance, especially in today’s 1:1 classroom. With today’s rightful emphasis on differentiated instruction, contemporary classrooms need to incorporate coaching in graphicacy to reach students via their learning preferences. (Continue reading for more information….)

Visual Literacy + Visual Thinking

Visual literacy is about learning how to look. It involves learning how to internalize and deconstruct the images that the brain sees. It involves input. Visual thinking is about learning how to design. It involves imagining graphic representations of new or traditional concepts based on the mind’s unique creation. It involves output. Graphicacy, therefore, is the union of the two acuities. It marries the essential skills of decoding and encoding to embrace a range of pictorial proficiencies. (Continue reading for more information….)

Source: ASIDE 2011

Teaching The Art Of Seeing

Tommy McCall hit the nail on the head when he called “graphicacy the neglected step child in the classroom” during his TEDx East talk on Literacy, Numeracy, And Graphicacy. In the new e-cology to design and create digital content that is transmitted, interactive, and shared, it is even more vital to incorporate graphicacy skills in daily lessons. By training kids to thoroughly study what they see, we reinforce their visual acuity, attention to detail, and ability to notice conspicuous absences of information. We want them to develop a keen eye for seeing, to detect problems, and to understand the message inherent in the design. (Continue reading for more information….)

Graphics As Literacy

Graphicacy often takes a backseat in traditional classrooms, because understanding pictures is thought to be a natural consequence of basic vision. The conventional wisdom says that if people can see, then naturally they can comprehend what they see. Parents, however, know this is untrue. They know children must learn to decode images and connect the visual parts to the cognitive whole. Mothers and fathers dedicate evenings to paging through picture books with their toddlers, pointing out clouds and jackrabbits and smiling moons. (Continue reading for more information….)

Graphicacy in the Primary Grades

Whether graphicacy is the “fourth R” or the “third skill,” as Howard A. Spielman refers to it, the format for representing data and visuals is much more complex today. Data visualizations such as infographics and the myriad of designs used in their creation are arguably more complex in many cases. This is quite the opposite of what infographics are by definition, which is to present complex information quickly and clearly. They often combine images and data in ways very different from standard graphs, charts, and maps in most elementary textbooks, thus prompting a need for graphicacy in education. (Continue reading for more information….)

Source: ASIDE 2015

4 Steps To Understanding An Image

We use four steps in guiding students to interpret charts, maps, cartoons, infographics, and logos. These four steps progress from base-level identification toward more analytical and sophisticated skills. The understandings proceed from: 1) Substance, 2) Scaffold, 3) Story, and 4) So What? (Continue reading for more information….)

Is There A Visual Thinking App?

Amid the national emphasis on STEM programs, charts are becoming key tools to represent visual statistics. As more and more schools migrate to 1:1 tablets, therefore, students need a foundation in reading and rendering their own optic inputs. The language of apps today is printed in icons. On handheld devices, colorful squares dance across each swiped screen. Children need to recognize these badges and identify the relationships between the logos and the corresponding actions. (Continue reading for more information….)

"What Is Graphicacy?" — An Essential Literacy Explained In An Animated Motion Graphic

What Is Graphicacy? from The ASIDE Blog on Vimeo.

Source: ASIDE 2015