‘A Silent Voice’ (‘Koe no Katachi’ in Japanese which literally translates to ‘The Shape of Voice’) is a 2016 Japanese animation film (‘Anime’) directed by Naoko Yamada. This film is based on the manga (Japanese comics) of the same name written and illustrated by Yoshitoki Ōima and received widespread acclaim upon its release. I have always enjoyed Disney and Pixar animation films (Big Hero 6 and Coco being some of my favorites) and when a close friend of mine suggested this movie, I realized that I have never seen a Japanese animation film before. Somehow it just never came up on my radar. Curiosity got the best of me when the film also somehow came up in my Netflix recommendations. And that is how I watched one of the most poignant and touching animation films.
‘A Silent Voice’ is a romance drama film that tells the story of the friendship between Shoya Ishida and Shoko Nishimiya, two high-schoolers who used to be classmates in elementary school. We see the whole film from Ishida’s perspective. The actual story begins when Nishimiya, a deaf girl, transfers to Ishida’s elementary school where she gets horribly bullied by him. Ishida gets into trouble for it and ends up becoming an outcast in his own school while Nishimiya changes schools. Years later, in high school, Ishida has lost all his friends and has a bad reputation in school. But he has learned from his mistakes and never wants to hurt Nishimiya or anyone ever again. He has learned sign language which he was unwilling to learn before and is able to start a sweet friendship with Nishimiya. He wants her to be happy so he tries to bring her old friends and classmates back together. In the 2 hours 30 minute movie, we see how their friendship helps them with their issues which majorly arose from bullying. The film shows how bullying affects both the victim and the bully as we see both the characters suffering from loneliness and self-loathing. Nishimiya, as sweet and kind as she is, still suffers the after-effects of the bullying she faced. She believes that she is the reason why Ishida lost all of his friends. Ishida has realized his mistake but has now become an outcast.
One of the most striking points of the film is how grounded and natural all of the characters and their arcs are, particularly the main protagonists’. At the beginning of the film, one feels so much dislike towards Ishida when we see him tearing Nishimiya’s hearing aids from her ears, throwing them out the window, and blowing sand in her face. But all of that hatred slowly melts away seeing him trying his best later. He becomes quiet and careful even as nobody in school actually cares about him. He is scared of looking at his classmates directly and hates feeling judged by them. The animation depicts his fear with blue crosses over his classmates’ faces. He is filled with self-hatred, even considering suicide at one point, and struggles to apologize to Nishimiya.
Friendship is also an important topic in this film. We see all kinds of friendships. Ishida gains a loyal friend in Nagatsuka, a bullied boy who also helps him find Nishimiya. Some of her classmates talk sweetly to Nishimiya while making fun of her behind her back, even refusing to learn sign language. Ishida’s friends find it easy to place all the blame on him even though they also took part in the bullying. Some of them change for the better, while others don’t.
There is something about this film that makes it so much more humane and emotional than other animations I have seen. The animation style by Futoshi Nishiya is so different from the usual, yet so welcome. The film has beautiful and detailed sceneries of the roads, lakes and the buildings of the town. The film also tackles a lot of relevant social issues like bullying, suicidal and self-deprecating thoughts, social anxiety, and the struggles of people with disabilities. It is interesting how an animation film can be this realistic in terms of its story because these are definitely some of the issues teenagers of this age face. It may appear to be a simple story of high-school romance at first but the film tackles so many complex and deep matters. It is also pretty impressive to me how an animation film is able to move its viewers so much emotionally while also making it entertaining and not boring.
In conclusion, A Silent Voice is a very heart-touching and sweet film. It is insightful and enjoyable for a wide range of age groups. I would definitely recommend it to all animation lovers. In fact, it would be a good starting point for people who have never seen Japanese animation films before.
Call Me By Your Name is a book that throbs with desire. André Aciman’s 2007 novel (and the basis for the film of the same franchise in 2017) is a portrait of adolescent love and lust, experienced for the first time with an intensity that’s almost frightening in how all-consuming it feels. And Aciman devotes himself to chronicling every fleeting fantasy, every caress, with a fervour that matches what his characters are feeling.
About The Author
André Aciman is an Italian-American writer. Born and raised in Alexandria,Egypt, he is currently distinguished professor at the Graduate Center of City University of NewYork, where he teaches the history of literary theory and the works of Marcel Proust.
He is the author of several novels, including Call Me By Your Name and a 1995 memoir, Out of Egypt, which won a Whiting Award. Although best known for Call Me by Your Name, Aciman stated in an interview in 2019 that his best book is the novel Eight White Nights.
André Aciman
Storyline of The Novel
It tells the story of a blooming romance between 17-year-old Elio Perlman, and 24-year-old visiting scholarOliver, who comes to the summer home of Elio’s parents in Italy, 1983.
The story is told in retrospect, with grown-up Elio recalling the events of that fateful summer. He always resented his parents’ tradition of taking a doctorate student into their home for six weeks each year, forcing him to vacate his bedroom (that sacred space of a teenage boy) to make room for their guest. That all changed when Oliver, a Harvard graduate student comes to stay with the academic expat family in the Italian Riviera, where he will oversee the translation of his dissertation on Heraclitus. As he wins the family over with his breezy charm and preppy insouciance, Oliver also inspires the adoration of the professor’s teenage son, Elio, who relays to us each stage of his infatuation.
Elio catalogues every aspect of Oliver—his gazes, his phrases—and even augurs meaning from his clothing: “He had, it took me a while to realize, four personalities depending on which bathing suit he was wearing.” Elio, in turn, dazzles Oliver with his precocity—he’s a virtuoso on piano and on an enviously easy footing with literature from Ovid to Celan. But he is unsure and untested in carnal matters. His desire for Oliver literally false-starts when he accidentally (and discreetly) ejaculates in his presence (the scene recalls Marcel’s embarrassing tussle with Gilberte). But when Oliver starts sleeping with a local girl, it seems that Elio’s fantasies of consummation will never be realized. He muses about killing, or at least crippling, Oliver: “If he were in a wheelchair, I would always know where he was, and he’d be easy to find.”
But then, just as Elio has given up hope, it happens: He slips into Oliver’s room one night and so begins their five-week love affair. They have adventurous, almost incessant sex, during which, at Oliver’s prompting, they call each other by the other’s name. As a strategy for subsuming the other’s self, this verbal masquerade is strikingly successful. At first shameful for Elio, their passion quickly becomes all-consuming. The lovers revel in their sameness—they are both young Jews, “brothers in the desert”; they experience the same sexual pains and pleasures; their minds travel along the same currents to catch the right literary references.
Timotheé Chalamet as Elio Perlman and Armie Hammer as Oliver, in Call Me By Your Name (2017)
Analysis of The Story
Call Me by Your Name is the story of a sudden and powerful romance that blossoms between an adolescent boy and a summer guest at his parents’ cliff-side mansion on the Italian Riviera. Unprepared for the consequences of their attraction, at first each feigns indifference. But during the restless summer weeks that follow, unrelenting buried currents of obsession and fear, fascination and desire, intensify their passion as they test the charged ground between them. What grows from the depths of their spirits is a romance of scarcely six weeks’ duration and an experience that marks them for a lifetime. For what the two discover on the Riviera and during a sultry evening in Rome is the one thing both already fear they may never truly find again: total intimacy.
The psychological manoeuvres that accompany attraction have seldom been more shrewdly captured than in André Aciman’s frank, unsentimental, heartrending elegy to human passion. Call Me by YourName is clear-eyed, bare-knuckled, and ultimately unforgettable.
Timotheé Chalamet as Elio Perlman
Criticism of The Story
Despite the fact that it’s a coming-of-age story, Call Me By Your Name is hardly a young adult book. For one, it’s quite erotic, albeit in a highly literary way. All of the sexual encounters (including one truly smutty incident with a peach) are depicted in detail, but not to titillate. It feels more like Aciman is simply demonstrating the depth and desperation of Elio and Oliver’s desire.
Call Me by Your Name ends with a series of unsatisfactory but still charged meetings between Elio and Oliver later in life. They have a rendezvous in New England, where Elio is traveling and where Oliver teaches and lives with his family. The novel, despite its melancholy send-off, ultimately holds out an extremely un-Proustian, optimistic promise: Love and understanding can endure hand in hand. Elio can still say of Oliver, “This was my favourite Oliver: the one who thought exactly like me.” Twenty years later, when they return to one of their cherished spots in Italy, Elio asks only to be called once more by the name Oliver—as if to imply that nothing has changed. For Proust, such naming is inevitably fraught with failure (Marcel at one point wishes he could give a different name to each of the Albertines he knows). The notion that the past could ever obey such a summons, that anyone could ever be so static, suggests that Elio has breached, but finally resisted, Proustian knowledge. This shying away leaves us with something less than we might have expected from Aciman’s previous reckonings with time.
Scene from the Movie Call Me By Your Name
Conclusion
Even with all the critical analysis, the storyline wins millions of hearts with the sweet message of love, that can happen to anyone under any circumstance. The story broke some stereotypes about how the meaning of Love is mostly depicted in society. It normalizes the simplicity, the beauty and the agony of love between two men, in a never seen before way. And that makes the book an ultimate winner for its modern day readers.
If you are searching for an Asian horror movie with nerve wrenching suspense, then Death bell maybe the one you are looking for. Death bell is an absolute epitome of horror and thriller. If you’re among someone who enjoys watching horror movies- you should definitely add this to your watch list right now.
Rated 5.6/10 by IMBD
Death bell or Gosa is a Korean horror suspense thriller movie directed by Hong Seung Yoon who is also a music video director and produced by Core Content Medias. The movie stars Lee Beom Soo, in his first horror film role, Kpop singer Nam Gyu Ri marking her acting debut, Kim Bum, Yoon Jung Hee in peculiar characters with Son Yeo Eun, Lee EL, Son Ho Jun and many others making it star-studded cast line-up. Set in a Korean high school, the film’s native title refers to gosa, the important midterm exams that all students are required to sit. A group of 20 high school students partakes in an elite class to prepare for a college exam. Trouble ensues when the students and teachers are trapped in the school building by a maniac and to be set out free then to need to answer his question or face horrible fate. The movie has but wrenching, brutal torture scenes which can be harsh for some people. It is neat and clean, topic and genre committed movie. Most of the characters show little development but there are not also much lows in their characters. The movie upheld the high tension up to the end. Once you are immersed in the storyline, you won’t be able to leave your seat. Cinematography and screenplay can disappoint, but the acting won’t. Nam Gyu Ri as Ina is set up as the plot’s central girl, who is determined to save her classmates. She has wonderful presences which grow as action pick ups. The movie has the basic Asian horror idea of avenging host associated with modern day students’ lives. The central core of the movie is an interpretation of the “torture porn” genre of Western Horror that was doing the rounds. This cultural immersion allows it to stand apart even if it doesn’t fully deliver. This is a feature for horror fans that are less concerned with fully rounded characterization. All in all , Death Bell gives you best horror with a wonderful cast but with moderately good plotline and other aspects.
Wrath of Man is a 2021 action thriller heist film directed by Guy Ritchie, from a script he co-wrote with Ivan Atkinson and Marn Davies, and is loosely based on the 2004 French film Cash Truck by Nicolas Boukhrief. It is Ritchie’s fourth directorial collaboration with lead actor Jason Statham, and first since Revolver (2005). Statham stars as H, a new cash truck driver in Los Angeles who thwarts a robbery only to have his mysterious past begin to get questioned. Holt McCallany, Jeffrey Donovan, Chris Reilly, Josh Hartnett, Laz Alonso, Raúl Castillo, DeObia Oparei, Eddie Marsan, and Scott Eastwood also star.
The 🎥
Plot
The movie is separated into four parts, each chapter circling back to one main event that sets off a chain reaction. Beginning with “A Dark Spirit,” an armoured truck is robbed by heavily armed individuals dressed as construction workers. Two guards and a civilian are killed during the robbery.
Five months after the robbery, a mysterious Patrick Hill applies to Fortico Security, an armoured truck company. In his interview, his soon-to-be superior, Terry, commends him for his references and warns him of the robbery. Hill is then introduced to Bullet, who nicknames him “H” and oversees his training and qualifying tests. “H” barely manages to pass the tests and gets off to a rocky start with his new colleagues, particularly “Boy Sweat” Dave. On his first official training day, “H,” Dave, and “Bullet” are assigned to the same pickup. Dave, who has a “we are the prey” attitude about the job, tells “H” more about the robbery where guards were killed. He reveals that he was supposed to drive the truck but had called in sick that day.
During a training pickup, “Bullet” is taken hostage, and the kidnappers demand the $2 million in their truck. Dave panics, but “H” convinces him to drive to save “Bullet.” When “H” and Dave meet the kidnappers, “H” quickly disposes of them with expert marksmanship, despite his mediocre shooting skills from his qualification tests. The police investigators assigned to the robbery question “H” about his true abilities against his training. Then they ask him to watch security footage of the previously mentioned robbery to see if he thinks the two crimes are connected. “H” denies the connection and is released back to Terry. Terry tries to give “H” desk duty for a month in case of PTSD until the CEO of Fortico comes to personally thank “H,” allowing him to continue work in the field.
The police investigators later identify “H” to their superior, FBI Agent King, as someone the Bureau had been looking for 25 years. However, King tells them to let “H” off the hook and “let the painter paint.” As a result of the attempted robbery, many of “H”‘s coworkers now believe him to be a hero. In what appears to be his hotel room later that night, “H” is visited by a woman who gives him Fortico employee files, photos of coworker Dana Curtis’ family, and an autopsy report. “H” reviews a copy of the robbery footage shown to him by the police investigators.
In a later routine pickup with just “H” and “Bullet,” the truck is attacked again. “H” faces the robbers after they flood the armored truck with tear gas, and they quickly retreat after one of the robbers sees “H”‘s face. Terry doesn’t believe his story, thinking him to now be a psychopath. The Fortico CEO, however, commends “H” once again and sends him on his way. “H” later sleeps with Dana and holds her at gunpoint to interrogate her about a private cash stash he finds. She claims she stole money once from a liquor store for retirement savings. “H” spares her life but threatens further repercussions if he learns she is withholding other information.
The second part, titled “Scorched Earth,” begins with a flashback five months earlier. “H” is out with his son Dougie when he reluctantly agrees to a work call asking him to help with the recon of an armoured truck route. “H” makes an excuse to get some burritos at a food truck and stops on the other side of the bridge from the Fortico depot. Dougie stays in the car while he goes out. While waiting by the food truck, “H” calls his underling to confirm the truck’s route. As the armored truck goes under the bridge, it is attacked by the disguised and heavily armed construction workers, who kill the guards for trying to fight back as well as Dougie for witnessing Jan’s face. When “H” runs toward them, he is gunned down as well but survives. Three weeks later, “H” wakes up in a hospital after life-saving surgery and learns of his son’s death. He is in complete shock, showing little emotion, even when his wife claims their son’s death was his fault and leaves him.
“H” meets up with FBI Agent King and requests intel. King has a list of possible suspects that the FBI is also looking into, unsure of who “H” is looking for. King tells “H” he can do what he likes, but to consider he can only turn a blind eye for so long. “H” is then revealed to be Mason Hargreaves, the boss of a crime syndicate. His syndicate’s direct underlings – Mike, Brendan, and Moggy – are the men who will make the second attack on “H’s” cash truck. “H” demands to find the specific face responsible for killing Dougie. His men claim they’ve already begun searching, scorching the earth for justice, but have yet to find the culprit. After exhausting their list of suspects and coming up with no possible leads, leaving carnage in their wake, Mike suggests that the robbery was an inside job. “H,” says he will fly back to London to clear his mind. Instead, he arranges a local contact, Kirsty, to provide him with the forged identity of Patrick Hill, put him up in a hotel, and locate the autopsy report of Dougie’s death.
In the third part, “Bad Animals, Bad,” we meet a bored former military platoon consisting of Carlos, Sam, Brad, Tom, and Jan, commanded by their platoon leader Jackson. Struggling to make ends meet, most unemployed or working underpaid jobs, the group decides to start stealing money in increasingly ambitious heists. The heists are planned in great detail by Jackson and Tom, while maintaining the façade of ordinary lives with families, except for Jan; he appears to be the black sheep of the group, showing little respect for Jackson and complaining about everything from how the money is divided to what they can purchase with their shares. The first attempt to steal from a wealthy man for whom Carlos works as security comes up with only a few hundred thousand dollars. They then resolve to utilize contacts in armoured truck companies to steal millions of dollars. Each heist comes with increasing wealth and costs. When they perform the Fortico heist, Jan is revealed to be the one that kills the guards and Dougie against the wishes of the rest of the team.
The last part, titled “Lungs, Liver, Spleen, Heart,” is set back in the present. Jackson and Tom bring the team together for a much larger but riskier final heist to steal over $150 million from the Fortico depot on Black Friday. “H” and “Bullet” are riding together when “Bullet” reveals he is the thieves’ insider and asks “H” to cooperate to avoid death. Four of the thieves, dressed in full body armour, hide in the truck to gain access into the depot while Jackson and Tom take a black vehicle behind them. Their goal is to keep the scene drama-free, open the gate to let Jackson’s vehicle in, and empty the depot before SWAT arrives 8 minutes later. Once the hostage cash truck successfully enters the depot, they take hostages, including Terry and Dave. Dana and two other workers named Stuart and Shirley are in the back of another truck, unaware of the situation beyond them. The thieves demand the gate be opened, but one worker, John, triggers the alarm. The workers behind the weapons desk begin shooting at the thieves but are quickly subdued. They let Jackson and Tom in and start taking the money. Dana and Stuart have called the cops now, but Shirley can’t stay hidden and decides to start shooting despite protests from the others.
In the commotion, “H” chokes Carlos out and frees Terry and Dave. He takes Carlos’s body armour to fight back, inspiring Dave to do the same while Terry hides. Realizing they may not make it out, “Bullet” breaks his cover and shoots Dave, Dana, and the remaining guards. He shoots “H” last and leaves him to die. “Bullet,” Jackson, and Jan are the only ones to make it out of the depot, though Jackson is critically wounded. They evade police and make it to a garage where they have access to underground tunnels. Believing Jan will try to kill them, Jackson takes out a pistol, but Jan stops him and slits his throat. When Jan and “Bullet” make it to the end of the tunnel, “Bullet” takes out a gun to kill Jan, but Jan kills him first. Jan successfully makes away with all the money before the police can deduce what happened.
At the apartment, Jan finds a phone ringing in one of the money bags, which was planted there by “H” to track his location. “H” confronts Jan with Dougie’s autopsy report before shooting him in the same places Dougie was shot. “H” turns in the money to his FBI contact and drives off with Mike.
Release
The film was released internationally in several countries, beginning on April 22, 2021, including Russia, New Zealand, Australia and Taiwan. It was later released in the United States on May 7, 2021. It is set to be released in China on May 10. The film was originally set for release in the United States on January 15, but was pulled due to the COVID-19 pandemic. It was later rescheduled for April 23,before being pushed to May 7.
Home media The film was released on Blu-ray and DVD on July 13, 2021, by MGM Home Entertainment through Warner Bros. Home Entertainment
Yeh Jawani Hai Deewani is a light – hearted, entertaining film with a hidden but deep message that leaves you with many questions about life to ponder upon. Are we living our truth? Are we following our passion? What is the purpose of life? And do we know who we really are and what we really want in life?
Since our childhood, we are made to follow the rules set by the society. Fourteen years of primary and secondary education, three year of college diploma, and then join the rat race to get a perfect job with a good package. After landing to a perfect job, we work hard to earn money, save some for our next generation and finally retire. Sadly, it’s the retirement that most working people look up to so that they can finally enjoy their life. Its a vicious cycle that has continued for generation after generation, only because no one questioned it. The most important thing that we often miss out, while trying to follow the set societal pattern is to actually LIVE our lives. We are so engrossed in planning for the next that we forget the importance of now and do not even live the now. Young adults work for a secure retirement so that they can enjoy their life. But often, that is the time when most of them regret not following their passion and doing what was best for them. However, they are left with very little time and hence are not able to make amends to their mistake.
In the movie we see Bunny as such a character, who in no way is a perfect ideal boy from the society’s perspective. He is seen a careless, emotionless, flirtatious young boy who denies to follow the rules set by others. He sets his own path for life. He is passionate about travelling, which again is not the most respected profession unlike engineering and medical. They want him to fit to a tie-suit, 9-5 job so that he can earn well and be accepted by the society. However, he had other plans for his life.
Though he was a “last bench ka loafer” who never passed an examination without cheating, he was more knowledgeable compared to other characters. Yes, he had less of bookish knowledge but he could pass any examination in the subject called life without having to copy others.
We live for 60-70 years on an average, yet its very late in life that we truly get to know ourselves. Often people do not even know themselves and follow a fake portrayal of themselves in order to suit the eyes of the society. They try to hide their real self, just to protect themselves from society’s judgement. However, Bunny stood apart from such a description. He knew himself and his expectations from life. Hence, he allows the society to judge him inside out as he was true to himself. However, It took years for Naina to decide what she wanted from life , and how it was so miserable that she couldn’t even afford a weekend break, because of her immense syllabus. It took her years to understand that she can never be a perfect daughter in the eyes of her parents, just by obeying them. And it was high time, she had to stand up for herself and her dreams which may not be well accepted by others. She was such a product of the society that believed that if she followed every rule, studied well, obeying her elders, became a doctor, she would be respected and accepted in the society. However, it was when she met her classmate Aditi, she realised that she had to take things in her own hands in order to better her life.
To a larger extent, Bunny played an important part in inspiring Naina to accept and love herself for who she was. Bunny had seen a lot in life. He lost his mother at a very young age, he never had a good relationship with his step-mother, he had financial issues, he never communicated well to his father and he had dreams that were different from the normal masses. Yet he never gave up on his dreams. He knew he had to earn for himself. Hence, he perused multiple side jobs along with his college so that he could save for the life that he desired, without depending on his family.
Though people see him to be a flirty, spoiled brat. I personally see him as a happy soul who loves to meet people and make new friends throughout the world. On a personal level, I believe it is not wrong to be over-friendly or to flirt with the opposite gender, until it is within the boundaries and consensual.
We live in such a society where various incidents do happen without the consent of the other person and yet those at fault live with the show of a respectable men and are honoured. It is the true gentlemen like Bunny who are termed as Casanova. He is respectable towards women, knows his limits, is helpful even to the unknown and I guess that is what counts to be a true gentleman. There were certain incidents like the time when Naina was not comfortable talking about adult films. He knew his boundaries and respected her choices.
Bunny brings out the best in people which helps them know and love themselves. He knows the importance of travelling and how an experience like such can change a person’s perspective towards life. Even when he was a complete stranger to Naina, he encouraged her and it would not be wrong to say that he was the one who made Naina believe in herself and love herself.
There was one such incident when they had been invited to a camp party. Naina being unknown to the concept of chilling with unknown strangers and making new friend, was hesitant. Often in life, we face such situations where we have doubt ourselves and fear the unknown. It is then, that we need someone to understand us and give the last push in order to overcome it. Bunny indeed was such a push to Naina. Though everyone believed Naina to be a serious, studious bookworm, it was Bunny who could bring out the fun Naina that was always inside her, waiting to be discovered and explored.
Introduction: Five feet apart is directed by Justin Baldoni and written by Mikki Daughtry, Tobias Iaconis. This genre of drama and romance was released in 2019. Stella Grant (Haley Lu Richardson) is a seventeen year old who is diagnosed with cystic fibrosis whose life is full of restrictions and boundaries but she doesn’t fail to amaze us with her lively nature and her love for life and all of her restrictions are put to test when she meets Will Newman ( Cole Sprouse) a handsome young man who is also a CF patient and therefore they’re supposed to be a safe distance from each other.
Their connection grows stronger which makes them want to break all the rules and be together. Will is a kind of person who doesn’t like following rules but after meeting Stella he is inspired to live life to the fullest and embrace every moment. Eventually they fall in love and will realises that in order for Stella to be safe he needs to be away from her and therefore he is determined to leave her even though he loves her and Stella is only left with his memories.
Themes: This movie explores the themes of life and death, being rebellious and love. These are the main themes as throughout the movie, we get to witness how they fought bravely for their lives, they even sacrificed themselves for each other and how they didn’t let their illness be a reason for them to be apart and tried to love each other and themselves even more each day and how they made each others life more meaningful and beautiful. This entire movie was beautifully directed and the actors complemented each other. At, first when they meet, they realize that they’re of opposite personalities and there are misunderstandings but as time passes, they get to know each others circumstances and grow to understand and like one another. When they realize that they really are attracted to each other and even fall in love, it’s the distance they have to maintain but they still don’t give in to it as they truly love each other and thinking that even if they have very little time to be with eachother, they need to spend it wholeheartedly and by enjoying each others company. But that put their lives in danger. The background musics are a good touch to the movie as they add to the emotions of the movie and they enhance our experience which gives it a sad but dramatic effect.
Conclusion: This is a very good movie according to me as we get to see what people can do to save their loved ones and how sacrifice also plays an important role in love. This also shows us how having that one person by your side helps you to be stronger and happier. This movie was “one of a kind” and I really enjoyed and appreciated all the themes and motifs of this movie. It was a very emotional and thoughtful movie, according to me. As I really enjoyed watching this, I’d rate it a 9/10.
The 24th Film of Marvel Cinematic Universe based on a superhero named Natasha Romanoff. Black Widow is a 2021 American superhero film based on Marvel Comics featuring the character of the same name. Produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures. Black Widow premiered on June 29, 2021, at various red carpet fan events in London, Los Angeles, Melbourne, and New York City and was part of the Taormina Film Fest, which screened on July 3, 2021. It was released in the United States on July 9, 2021, simultaneously in theaters and on Disney+ with Premier Access for US$30, and premiered in 46 territories over the course of its first weekend. In the United States, it opened in 4,100 theaters, with 375 in IMAX, over 800 in premium large format, 1,500 in 3D, and 275 in specialty D-Box, 4DX, and ScreenX theaters.[
The team behind the movie
Directed by Cate Shortland Screenplay by Eric Pearson Story by Jac Schaeffer Ned Benson Based on Marvel Comics Produced by Kevin Feige Starring Scarlett Johansson Florence Pugh David Harbour O-T Fagbenle Olga Kurylenko William Hurt Ray Winstone Rachel Weisz
Black Widow
Plot
In 1995, Russian undercover agents, super-soldier Alexei Shostakov and Black Widow Melina Vostokoff, pose as a normal family in Ohio with their surrogate daughters Natasha Romanoff and Yelena Belova. When the mission to steal S.H.I.E.L.D. intel is complete, the family escapes to Cuba and rendezvous with their boss, General Dreykov, who has Romanoff and Belova taken to the Red Room for training. Years pass, and Shostakov is imprisoned in Russia, while Romanoff defects to S.H.I.E.L.D. after bombing Dreykov’s Budapest office, apparently killing him and his young daughter Antonia.
In 2016, Romanoff is a fugitive for violating the Sokovia Accords. She escapes from U.S. Secretary of State Thaddeus Ross and flees to a safehouse in Norway supplied by Rick Mason. Meanwhile, Belova kills a rogue former Black Widow but comes in contact with a synthetic gas that neutralizes the Red Room’s chemical mind-control agent. Belova sends the antidote to Romanoff hoping that she will return to help Belova free the other Widows. When Romanoff unknowingly drives off with the antidote, she is attacked by Taskmaster, who is after it. Romanoff manages to escape Taskmaster and realizes that the antidote came from Belova. The two reunite in Budapest, where Romanoff learns Dreykov is alive and the Red Room is still active. Shortly after, they are attacked by Black Widows, and Romanoff and Belova evade the Widows and Taskmaster before meeting Mason, who supplies them with a helicopter.
Romanoff and Belova break Shostakov out of prison to learn Dreykov’s location. He tells them to speak with Vostokoff, who lives on a farm outside Saint Petersburg, where she developed the chemical mind control process used on the Widows. There, Belova reveals that while they were not a real family, she believed they were so. Vostokoff admits she sent their location to Dreykov, whose agents arrive and take them to the Red Room, an aerial facility.
Vostokoff and Romanoff use face mask technology to switch places before being captured, allowing Vostokoff to free Shostakov and Belova from their restraints. Meanwhile, Romanoff confronts Dreykov, who sees through her disguise. Romanoff learns Taskmaster is Antonia, who suffered damage so severe that Dreykov had to put a chip in her head, turning her into the perfect soldier, capable of mimicking the actions of anyone she sees, including several Avengers. Romanoff attempts to kill Dreykov but fails to harm him due to a pheromone lock installed in every Widow. Dreykov reveals that he controls Widows worldwide via his desk console. Romanoff intentionally breaks her nose, severing a nerve in her nasal passage to negate the pheromone, and then attacks Dreykov. Shostakov battles Taskmaster, while Vostokoff takes out one of the facility’s engines, and Belova searches for the other Widows, who are sent to protect Dreykov. Together, Shostakov and Belova lock Taskmaster in a cell.
Dreykov escapes as the Widows attack Romanoff, but Belova creates an antidote bomb that releases the Widows from the mind control. Romanoff gets into the control desk and copies the locations of the other Widows worldwide as the facility begins to explode and fall. Romanoff retrieves the two surviving vials of the antidote and frees Taskmaster from the locked cell. Vostokoff and Shostakov escape via a plane just as Belova takes out Dreykov’s helicopter, killing him. Romanoff gives Belova a parachute before battling Taskmaster in freefall. After landing, Romanoff uses the antidote on Taskmaster, freeing her from servitude. The freed Widows arrive as Belova, Vostokoff, and Shostakov say goodbye to Romanoff. She gives Belova the last antidote vial and the portable drive, telling her to find and free the other, still mind-controlled, Widows. As they leave with Antonia, Romanoff awaits Ross and his men, who have arrived to apprehend her.
Two weeks later, Romanoff reunites with Mason, who supplies her with a Quinjet. She leaves, intending to free the imprisoned Avengers.
Post Credit scenes
In a post-credits scene set after Romanoff’s death,Belova encounters Contessa Valentina Allegra de Fontaine at Romanoff’s grave. De Fontaine assigns Clint Barton, whom she claims is responsible for Romanoff’s death, as Belova’s next target.
Love. We heard people talk about love and in love. But how many of you really believe in love. I use to think or wonder sometimes how a person could love another person other than his/her family and friends with all their heart without any expectations. More specifically how could you fell in love in his/her at their first sight. They are literally strangers.
Do you believe in long ship relationship? But do you believe that there is a boy way travelled all the way space to find his father which is also a kind of love. You may think how this could be possible. No, it is not. But it is possible in movies. The movie is “The space between us”.
ABOUT THE MOVIE:
The space between us is a American movie released in 2017. It is romantic science fiction film directed by Peter Chelsom. The story follows a teenage boy Gardner Elliot whose mother Sarah Elliot is an astronaut who is sent to mars. There she is found to be pregnant and dies while giving birth to him. Then the boy visits Earth and starts to search for his father with the help of a clever girl.
MAIN CHARACTERS:
Gardener Elliot, Sarah Elliot, Nathaniel Shepherd, Kendra wyndham and Tulsa.
PLOT:
The Multi billionaire Nathaniel Shepard who is the Chief executive officer Genesis plans to launch the first mission to mars and also did. During the travel to mars, one of the astronauts Sarah Elliot find out she is pregnant. In the mars itself she gave birth to her son and dies from eclampsia. But the baby,s father is unknown. Nathaniel ordered to keep the baby Gardner Elliot in the mars itself as a secret. He is afraid that the environment that was surrounded by him during the birth made him to adapt himselve their. If he returns to earth it will bring difficulties in surviving and may also cause him death. Gardener is raised by astronaut Kendra Wyndham and the other scientists on Mars.
SIXTEEN YEARS LATER:
To know about his mother, Gardener hacks into a robot with the help of it he got access to his mother’s personal belongings. He finds a wedding ring of his mother and a video of Sarah Elliot and a man in a beach house. They seemed so close which convinced Gardener that the man is his father and he decided to find him. Gardener use to talk with a girl Tulsa from earth via internet chatroom. Tulsa is a common girl without any background but cleverness. She is a normal street girl from colorado. She believes that Gardner is confined to penthouse due to osteogenesis imperfecta(A group of inherited disorders characterised by fragile bones that break easily). They use to talk daily and he promise’s her to visit her someday.
Kendra video chat with Nathaniel and director Tom chen about Gardener’s wish to visit the earth. But Nathaniel highly refuses that he cant be able to adapt to earth atmospheric pressure. In order to visit he have to undergo risky surgery to increase his bone density and do some trainings. Gardener only listened to the surgery and training. He didn’t care about Nathaniel and others concern. All he wanted is to visit the earth as soon as possible to meet Tulsa and to find his father. After the surgery and training he boards to earth along with other astronauts.
After reaching Earth, Gardener was kept isolated at NASA because of his body conditions. He was very mad at director Tom who refused to allow him outside. He was also taken some medical tests which clearly shows that Gardener cannot live in Earth very long. On the same night he escapes from the place and found Tulsa convinced her to find his father. Nathaniel and Kendra discovered that Gardener body contains troponin and indicative of an enlarged heart which cannot handle the earth atmospheric pressure. So they followed Gardener. Gardener and Tulsa found the man Neka who married Gardener’s parents.
Tulsa with the help of her computer and with the help of Neka located the place in the video of Sarah and the other man. They travelled to summer land in California. During their travel Gardener tell the truth about him but Tulsa refused to believe him. At somepoint Gardener collapses and admitted in hospital. From the X-rays carbon tubes Tulsa finally believes that Gardener is really from mars. Gardener started to get afraid that he will die so he want to find his father before he dies. They both escaped from the hospital and reached the beach house that they saw in the video. There they found that the man from the video is Sarah’s brother not Gardener’s father. Hearing that he runs to sea to die.
Nathaniel and Gardener arrived there and saved him with CPR. There Gardener finds that Nathaniel is his real father. Kendra, Tulsa and Nathaniel took Gardener to Dream chaser and launched him into orbit to stabilize him. Now Gardener is free from Earth’ gravity. Soon after, Gardener boards a space shuttle to Mars after a emotional seperation with Tulsa. Kendra adopts Tulsa who is determined to join Gardner on Mars. She joins training program in NASA. Gardener is seen back on Mars with Nathaniel.
Introduction: Alita, a female cyborg is revived by cyber medic expert Dyson Ido and she sets out to learn about her past and true identity. The main cast is Rosa Salazar as Alita, Christoph waltz as Dr. Ido and Keean Johnson as Hugo. It was directed by Robert Rodriguez and released on 8 February 2019 in India. It is based on the Japanese manga artist Yukito Kishiro’s 1990s series Battle Angel Alita and its 1993 original video animation adaptation, Battle Angel. Alita is a cyborg who awakens in a new body with no memory of her past and sets out to uncover her destiny. It belongs to the genre of science fiction. The movie was set 300 years after the fall or the big war.
In my opinion, the movie was good enough to be entertaining but not good enough to be talked about for a long period of time. Even though they claim it’s a sci-fi movie, there are a few scenes which would pass for a romantic movie. Alita has the need/drive to find her own self, her own identity but during the end, she aspires to avenge Hugo, her boyfriend who was brutally murdered by Nova, who resides in Zalem.
Alita is someone who is drawn to violence without any hesitation. She was alive even after the span of 300 years. Her brain was intact which shocked Dr. Ido and he realised that she is a warrior from United Republic of Mars (URM) who was considered the enemy and therefore he tried his best to keep her away from danger. Her mission was to end Nova from Zalem but she and her other team mates failed to do so and now, 300 years later, she swore to complete her mission.
In the iron city, where she resides, there’s a play called motorball which can get pretty rough and If one manages to win the final round or become the championship, they are sent to Zalem which the other people, the common citizens don’t even dare to imagine.
Nova isn’t someone who is used to losing, so he hired vector and a cyborg known as Grewishka to end Alita but she was strong enough as her technology was very advanced (URM Technology), so she emerged victorious.
The character I liked the most was Alita. How, even though she remembered nothing, she still longed to know where she belonged, who she was, her past and unraveling truths about her self. It shows how much important it is to have an identity for oneself and to be able to remember who you are.
I, also liked the character of Dr. Ido, who was hesitant to let her out into the real world at first but later realized that one cannot be kept from their destiny for long, no matter how much they try. He was from Zalem originally but never failed to show his humanity by helping Alita.
Conclusion: I would recommend this sci-fi movie to an amateur or a beginner who developed new interest in sci-fi movies. I rate this movie a 7.4/10
Thappad: Bas Itni si Baat? Is a Hindi Movie directed by Anubhav Sinha, starring Taapsee Pannu as the main lead, Amrita. Some other cast of the movie include Pavil Gulati as Vikram Sabharwal, Amrita’s husband, Tanvi Azmi as Sulekha Sbharwal: Amrita’s mother-in-law, Kumud Mishra and Ratna Pathak Shah as Amrita’s Father and Mother and many other artists.
The movie’s main plot revolves around the orthodox Indian belief that woman should bear the responsibility of protecting her marriage and for that sake bearing any form of injustice or violence that she is faced upon with, in a silent and obedient manner. Thappad movie subtly touches the hearts and minds of the audience as it conveys a strong moral message that is highly needed in today’s world. This makes the movie stand out from the regularly entertainment-based movies that are preferred by the present generation in great demands.
The movie starts off by showing the dedicated house-wife Amrita who puts forth the needs of her husband and his family before her own wishes. Her husband Vikram, who is a workaholic is seen to prioritize himself and his needs before Amrita’s and expects Amrita to do the same. The story takes a major turn when Vikram slaps Amrita in the party organized at home, in anger and frustration due to some promotional issues in his company. After this, the movie rolls forward with the decision of Amrita to take some time off from Vikram and his family in order to sort out her overwhelming feelings that occur after the slap incident. Thereby Amrtita deciding to return to her own home.
This whole plot raises not only a question of ethics and moral rights but also gender inequality. The female characters in the movie are trodden and looked down upon by their own husbands and in-laws, just for the reason that they are females, thereby highlighting the thinking of Indians towards female.
The movie shows how even when a woman faces inequality in her marriage, the society and her own family expects and teaches her to bear the inequality and domestic violence all for the sake of protecting her marriage. We see the mother-in-law making comments like, “log Kya kahenge” and “Aaurto ko thoda sehna siklhna chaqhiye.” Throughout the story when Amrita suffers from the dilemma after the slap, no one comes for her comfort and neither does anyone blame or tell Vikram that he is at fault. Again, highlighting the concept of Man to be always right no matter what he does in his marriage.
Amrita’s fight doesn’t start because of a single slap, but the story perfectly weaves the injustice that she has been bearing up and moving on all along. It’s just that it takes that one slap for Amrita to realise how she has been living all along in her marriage. How she had to kill her only wish in life, which was to have respect and be happy. She realises how after her marriage all she did was become a submissive housewife. Though Vikram plays the negative role, who even after slapping his wife thinks that it was just an act due to heat of the moment and does not feel sorry for his action, is still empathised towards the end as he finally realises his mistake. This portrays how parents play a major role in the upbringing of children, as they are the first teachers from whom they learn the right and wrong in life. Another gruesome scene that wrecks the heart of the audience is when the female lawyer is being raped by her own husband. One who does not know the definition of rape might not consider this as rape, however the definition of Rape is having sex with another person forcefully and without the consent of the other person. This applies even in relationships and to married couples. The female lawyer clearly denies the husband’s approach to have sex with him, however she finally gives up her struggle to resist when her husband forces himself upon her. The outline drawn from here is how women are expected to please and be sex objects for their men. A disgusting conventional ideology that still pertains in India is how husbands have the right to do whatever they like with their wives even when the wives do not agree to it.
The movie satisfies to a great extent and conveys a very important message that how women should stand for their own happiness and respect even if it means going against the odds. It also talks about how the preaching’s of the society are not always right. Although I liked the movie on a whole, but I was a bit disappointed by the ending of the movie. According to me, it ended on a positive note, with Vikram realising his mistakes. This may make the audience lose faith in the concept of fighting for their rights because it’s not always going to be this easy for your significant other to realise his fault. Also, the ending in a way hints the possibility of Amrita and Vikram getting back together ion future which may not always happen in every case. Apart from this, I feel the movie was great and is a really nice movie to watch and teach the present generation.
In Interstellar, the final frontier is not outer space but the fifth dimension, which exists beyond the three dimensions of space and the time dimension of relativity. This is not surprising: director Christopher Nolan conducted ambitious experiments with space and time in his prior films Memento and Inception. Here he returns to the set with a hypothesis that rests somewhat uneasily on both the hardheaded persistence of science and the earnest vulnerability of the human condition. For instance, it is noteworthy that Kip Thorne, a theoretical physicist who specializes in gravitational physics, served as a consultant and executive producer. Yet, Interstellar is a movie where “love” is uttered in the same breath as explanations for Einstein’s theory of relativity, and the formula to break the space-time continuum can be found in a child’s bedroom. What Nolan conveys is that the problem, the drive that pushes mankind to explore space is connected—inseparable, even—to the spaces of interiority we inhabit as individuals, and the solution lies beyond the perceptions cast in three dimensions.
What distinguishes Interstellar from his prior work is the way that Nolan tackles the consequences of the very same pleasure found in the technological offerings in his other films like The Dark Knight trilogy and The Prestige. Accordingly, his latest movie builds off these premises: that humans have exhausted all resources within 3D Earth, technology has accelerated its obliteration, and time is pushing the planet forward to ruin. The Atlantic’s Noah Gittell writes that when it comes to addressing the effects that technological fallout may have on the environment, “Hollywood has yet to adequately address [it]… When faced with unpleasant [End Page 92] realities, we all prefer a fantasy.”1 This is a movie that explores ways to escape Earth, and the protagonist Cooper (Matthew McConaughey), is charged with carrying out an undercover NASA mission to find a suitable planetary replacement. Cooper agrees to the mission after discovering NASA’s underground headquarters and meeting its de facto head Brand (Michael Caine), who spells dire consequences for Earth. This imperative pushes mankind out of the dust and out into the stars.
In the world of Interstellar, if man is contesting his place under the sun, then where does technology fall? Computers no longer serve as totemic objects; rather, they appear in a home-worn ubiquitous way, much in the same vein as Her, Gravity, and other recent sci-fi films. In Interstellar, technology is no longer representational—it does not appear as glitzy gadgetry that typically serve as plot gimmicks nor as the focus of cyborgian suspicion like with Ridley Scott’s David in Prometheus or Spike Jonze’s Samantha in Her. The film’s droids come in the form of TARS and CASE, and the former, voiced with deadpan humor by Bill Irwin, portrays none of the tension that arises from artificial sentience the way that his predecessors do. In fact, most of the technology looks worn: the ship is called the Endurance and the images of the team’s take-off look like they were pulled from footage of Cold War era space missions. Man’s greatest endeavors are meant to look fragile. At a moment of grave miscalculation, Cooper rages at Brand, the professor’s daughter and a scientist of her own right (Anne Hathaway): “We’re not prepared for this.” Movie critic A.O. Scott observes, “The Nolans cleverly conflate scientific denialism with technophobia, imagining a fatalistic society that has traded large ambition for small-scale problem solving and ultimate resignation.”2 The movie occupies half of its screen time in dust-baked American farmland. By juxtaposing scenery evocative of the 1930s Dustbowl with televised memorials of elderly Americans recounting the blight with an innocuous black laptop on a kitchen table collecting dust, the film subtly jolts viewers back to the movie’s futuristic premise.
Directed by: Gil Junger Production company: Touchstone pictures Running time: 1 hour 39 minutes worth your time. Based on: Shakespeare’s ‘Taming of the shrew’.
A newcomer at Padua high school ( filmed at Stadium High School, Washington), Cameron falls in love (at first sight) with Bianca the beautiful. Rich and handsome but dumb Joey has his eyes on Bianca as well. Kat is the older sister of Bianca who doesn’t care about social life. Their strict father won’t let Bianca date unless her sister does. In order to take Bianca out Cameron along with his geek friend Michael makes Joey to pay bad boy Patrick to take Kat out. Things don’t go as smoothly as planned but that’s the fun part. Patrick’s ways to impress Kat is reason 1. Reason 2 is that fight that happens. Reason 3 love can make bad boys turn soft. Check out the movie for details.
Reason 4, the cast: Heath Ledger as Patrick Verona10/10 actor, Julia Stiles as the savage Kat Stratford damn I worship her, Larisa Oleynik as Bianca Stratford perfect for the role, Joseph Gordon-Levitt as Cameron James again perfect for the role. Rest of the cast is irreplaceable as well.
I am seriously obsessed with this movie. I have literally watched this one multiple times and have the whole script learnt by heart. I suggest anyone whom I cross paths with to watch this. Reason 5, it is definitely hands down one of the best rom com out there.
Reason 6,
Reason 7, “Patrick Verona: See, first of all, Joey is not half the man you are. Secondly, don’t let anyone, ever, make you feel like you don’t deserve what you want. Go for it!”
Reason 8, (lesson learnt)
Reason 9, (lesson learnt)
This can totally be a movie for your family night. Who doesn’t love a rom com plus it has Heath Ledger. Though the movie does contain a few slang words but that’s mild. Trust me it will leave you smiling at the end all satisfied.
Reason 10, 7.3/10 IMDb rating and 11/10 from me.
Thank you for reading. Have a nice day!
Shrestha Dutta is a high school pass out (batch 2019-2020) from DeNobili school Dhanbad, Jharkhand. She is a design aspirant and currently preparing for NIFT entrance exam. Shrestha is passionate about art, books, movies, fashion. Team Marvel (cinematic universe). She is a normal teenager who has a lot of questions about life. She is an optimistic and happy person in general.
I saw this Hindi movie recently and I would like to give my opinion on it. “Bulbbul” was recently released on Netflix on 24 June, 2020 by the production company ‘Clean Slate Films’. A supernatural horror produced by Anushka Sharma and directed by Anvita Dutt Guptan. It is roughly based on Rabindranath Tagore’s “The Broken Nest” which is based on his own life incidents.
The movie is set in 18th or 19th century Bengal. It doesn’t have many characters. Our main characters are Bulbbul, a child who is barely five years old when she gets married to Indranil, also known as ‘Bado thakur’. Indranil has two brothers namely Mahendra, his mentally challenged identical twin and Satya, the youngest close to Bulbbul’s age which is the reason why they become close friends which becomes a matter of concern for her husband. Bulbbul grows up to be an enigmatic woman. We see how men in her village are brutally being killed by some witch or chudail.
Basically the film takes us on a journey of Bulbbul’s growth from an innocent child bride to a strong woman who runs her own household. The character of Bulbbul is played by Tripti Dimri. In my opinion, I don’t think anyone could have done a better job playing the role. Though not from a Bengali background she does a pretty great job in giving us those typical Bengali vibes. Rahul Bose as Indranil (as well as Mahendra) does a pretty great job too. Handling two very different roles at the same time is not easy but he did it. Avinash Tiwary acts as Satya; another great work. Paoli Dam as Mahendra’s wife, Binodini. Parambrata Chatterjee as Sudip, the village doctor. I feel the cast was great. Each one of them did a wonderful work and I cannot imagine anyone else replacing them. The music is exceptionally good, gives you goose bumps every time you listen to it not because it scares you but it feels like there’s a story behind everything screaming to be heard. Hats off to Amit Trivedi. It gives a special essence to the movie. Another thing I loved was the cinematography. Scenes where the witch or the chudail was to be, the screen would turn red telling us to hold on to our seats for something is about to happen. It has a feminist theme. It shows how women change themselves due to past abuse. Paoli Dam’s character had this dialogue “Badi havelion me bade raaz hote hai” translates to “big havelis have big secrets”. This explains a lot about the chudail. One would understand when they see the movie. Lesson I learnt was innocence is a pure thing taking that away from someone is sinful. The movie is family friendly except a couple of scenes but I think it’s high time little girls need to be made aware what the real world holds. It has a 4.3/5 audience rating. I would totally give it a 4.5/5 just because there is this one thing that it becomes predictable midway. Apart from that it is a masterpiece and a change from regular Indian thriller.
I have seen this movie a hundred times, every time I learn something new from this movie. A beautiful movie which depicts a string of emotions different people go through. What is fascinating about this movie is that in this movie no one is perfect ( as defined by the Indian cinema), everyone has their own traits which makes them look different but all these people with different traits live together and do not try to change each other rather they respect individuality ,Which I think this generation does not do. We are always in a race to become like someone, want a hair style like her, hey I want a bike like him, You should do an MBA as she did and etc. There are many factors which tends us to change our identity, our belief systems to make us someone we are not. What is required is not to make ourselves like others rather to learn things constantly, and bring out a better human from inside.
This movie revolves around Uma played by Sharmila Tagore who is a very shy and a quiet girl. Who never speaks up ,does not have aspirations or desires rather thinks that she is the reason her mother died. Her mother died at the time of her birth, since then her father went into an emotional trauma and distances himself from his daughter. The father daughter share the same roof but never do they talk to each other. This movie is directed by Hrishikesh Mukherjee and his movies always depicts complex relationships in a very simple yet elegant way.
Ashok played by Dharmendra is a struggling writer, he is poor but is determined not to ask the rich for favors. He has some principles in life reading this you might think he would be a very strict person, that’s not true. He is fun, he translates his misery into a joke every time he talks to people.
Such meaningful and heartfelt movies with songs having references to the storyline is not made nowadays. It does not mean that all the movies in this era are bad, it is just that they do not have any relevance, every movie you see today will have a catchy party song, a very heartfelt romantic song, a sad song that is it just to grab public attention. In Anupama the director used songs only to convey some feelings which cannot be said by a speech. Like the song kuch dil ne kaha portrays that Uma is a person who is shy of talking to people but opens up her feelings to flowers and leaves as she thinks they are her friends.
This movie does not have dramatic screenplay but it sure has many emotions, beliefs and trusts being broken or overflowed. Ashok when meets Uma and comes to know of her feelings , he gives her some advice about how grateful she should be that she has many things that many people don’t have and about the emotional chakravyuh she is in, he says “it is you who can get yourself out of this, some problems that we have created have to be solved by ourselves that is the best way”.
The movie was an eye-opener for me and I guess it would for you too.
Thank you for reading. Have a nice day!
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