Jallianwala Bagh Massacre

The Jallianwala Bagh massacre, also known as the Amritsar massacre, took place on 13 April 1919. A large but peaceful crowd had gathered at the Jallianwala Bagh in Amritsar, Punjab to protest against the arrest of pro-Indian independence leaders Dr. Saifuddin Kitchlu and Dr. Satya Pal. In response to the public gathering, the British Brigadier-General Dyer surrounded the Bagh with his soldiers. The Jallianwala Bagh could only be exited on one side, as its other three sides were enclosed by buildings. After blocking the exit with his troops, he ordered them to shoot at the crowd, continuing to fire even as protestors tried to flee. The troops kept on firing until their ammunition was exhausted. At least 379 people were killed and over 1,200 other people were injured of whom 192 were seriously injured.

Responses polarized both the British and Indian peoples. Eminent author Rudyard Kipling declared at the time that Dyer “did his duty as he saw it”. This incident shocked Rabindranath Tagore (the first Indian and Asian Nobel laureate) to such an extent that he renounced his knighthood and stated that “such mass murderers aren’t worthy of giving any title to anyone”.

The massacre caused a re-evaluation by the British Army of its military role against civilians to minimal force whenever possible, although later British actions during the Mau Mau insurgencies in Kenya have led historian Huw Bennett to note that the new policy was not always carried out. The army was retrained and developed less violent tactics for crowd control.

The level of casual brutality, and lack of any accountability, stunned the entire nation, resulting in a wrenching loss of faith of the general Indian public in the intentions of the UK. The ineffective inquiry, together with the initial accolades for Dyer, fuelled great widespread anger against the British among the Indian populace, leading to the Non-cooperation movement of 1920–22. Some historians consider the episode a decisive step towards the end of British rule in India. Britain never formally apologised for the massacre but expressed “regret” in 2019.

On Sunday, 13 April 1919, Dyer, convinced a major insurrection could take place, banned all meetings. This notice was not widely disseminated, and many villagers gathered in the Bagh to celebrate the important Hindu and Sikh festival of Baisakhi, and peacefully protest the arrest and deportation of two national leaders, Satyapal and Saifuddin Kitchlew. Dyer and his troops entered the garden, blocking the main entrance behind them, took up position on a raised bank, and with no warning opened fire on the crowd for about ten minutes, directing their bullets largely towards the few open gates through which people were trying to flee, until the ammunition supply was almost exhausted. The following day Dyer stated in a report that “I have heard that between 200 and 300 of the crowd were killed. My party fired 1,650 rounds”.

At 9:00 on the morning of 13 April 1919, the traditional festival of Baisakhi. Reginald Dyer, the acting military commander for Amritsar and its environs, proceeded through the city with several city officials, announcing the implementation of a pass system to enter or leave Amritsar, a curfew beginning at 20:00 that night and a ban on all processions and public meetings of four or more persons. The proclamation was read and explained in English, Urdu, Hindi, and Punjabi, but few paid it any heed or appear to have learned of it later. Meanwhile, local police had received intelligence of the planned meeting in the Jallianwala Bagh through word of mouth and plainclothes detectives in the crowds. At 12:40, Dyer was informed of the meeting and returned to his base at around 13:30 to decide how to handle it.

By mid-afternoon, thousands of Indians had gathered in the Jallianwala Bagh (garden) near the Harmandir Sahib in Amritsar. Many who were present had earlier worshipped at the Golden Temple, and were passing through the Bagh on their way home. The Bagh was (and remains today) an open area of six to seven acres, roughly 200 yards by 200 yards in size, and surrounded on all sides by walls roughly 10 feet in height. Balconies of houses three to four stories tall overlooked the Bagh, and five narrow entrances opened onto it, several with lockable gates. During the rainy season, it was planted with crops, but served as a local meeting and recreation area for much of the year. In the center of the Bagh was a samadhi (cremation site) and a large well partly filled with water which measured about 20 feet in diameter.

Apart from pilgrims, Amritsar had filled up over the preceding days with farmers, traders, and merchants attending the annual Baisakhi horse and cattle fair. The city police closed the fair at 14:00 that afternoon, resulting in a large number of people drifting into the Jallianwala Bagh.

Dyer arranged for an aeroplane to overfly the Bagh and estimate the size of the crowd, that he reported was about 6,000, while the Hunter Commission estimates a crowd of 10,000 to 20,000 had assembled by the time of Dyer’s arrival. Colonel Dyer and Deputy Commissioner Irving, the senior civil authority for Amritsar, took no actions to prevent the crowd assembling, or to peacefully disperse the crowds. This would later be a serious criticism levelled at both Dyer and Irving.

An hour after the meeting began as scheduled at 17:30, Colonel Dyer arrived at the Bagh with a group of ninety soldiers from the Gurkha Rifles, the 54th Sikhs and the 59th Sind Rifles. Fifty of them were armed with .303 Lee–Enfield bolt-action rifles. It is not clear whether Dyer had specifically chosen troops from that ethnic group due to their proven loyalty to the British or that they were simply the Sikh and non-Sikh units most readily available. He had also brought two armoured cars armed with machine guns; however, the vehicles were left outside, as they were unable to enter the Bagh through the narrow entrances. The Jallianwala Bagh was surrounded on all sides by houses and buildings and had only five narrow entrances, most kept permanently locked. The main entrance was relatively wide, but was guarded heavily by the troops backed by the armoured vehicles.

Dyer, without warning the crowd to disperse, blocked the main exits. He stated later that this act “was not to disperse the meeting but to punish the Indians for disobedience.” Dyer ordered his troops to begin shooting toward the densest sections of the crowd in front of the available narrow exits, where panicked crowds were trying to leave the Bagh. Firing continued for approximately ten minutes. Cease-fire was ordered only when ammunition supplies were almost exhausted, after approximately 1,650 rounds were spent.

Apart from the many deaths directly from the shooting, a number of people died of crushing in the stampedes at the narrow gates or by jumping into the solitary well on the compound to escape the shooting. A plaque, placed at the site after independence, states that 120 bodies were removed from the well. The wounded could not be moved from where they had fallen, as a curfew was declared, and more who had been injured then died during the night.

RECURSIVE ALGORITHM

A recursive algorithm calls itself which usually passes the return value as a parameter to the algorithm again. This parameter is the input while the return value is the output. Recursive algorithm is a method of simplification that divides the problem into sub-problems of the same nature. The result of one recursion is the input for the next recursion. The repletion is in the self-similar fashion. The algorithm calls itself with smaller input values and obtains the results by simply performing the operations on these smaller values. Generation of factorial, Fibonacci number series are the examples of recursive algorithms.

Properties

A recursive function can go infinite like a loop. To avoid infinite running of recursive function, there are two properties that a recursive function must have −
• Base criteria − There must be at least one base criteria or condition, such that, when this condition is met the function stops calling itself recursively.
• Progressive approach − The recursive calls should progress in such a way that each time a recursive call is made it comes closer to the base criteria.
Implementation

Many programming languages implement recursion by means of stacks. Generally, whenever a function (caller) calls another function (Calle) or itself as calle, the caller function transfers execution control to the Calle. This transfer process may also involve some data to be passed from the caller to the calle.
This implies, the caller function has to suspend its execution temporarily and resume later when the execution control returns from the calle function. Here, the caller function needs to start exactly from the point of execution where it puts itself on hold. It also needs the exact same data values it was working on. For this purpose, an activation record (or stack frame) is created for the caller function.

RECURSIVE ALGORITHM

A recursive algorithm calls itself which usually passes the return value as a parameter to the algorithm again. This parameter is the input while the return value is the output. Recursive algorithm is a method of simplification that divides the problem into sub-problems of the same nature. The result of one recursion is the input for the next recursion. The repletion is in the self-similar fashion. The algorithm calls itself with smaller input values and obtains the results by simply performing the operations on these smaller values. Generation of factorial, Fibonacci number series are the examples of recursive algorithms.

Properties

A recursive function can go infinite like a loop. To avoid infinite running of recursive function, there are two properties that a recursive function must have −
• Base criteria − There must be at least one base criteria or condition, such that, when this condition is met the function stops calling itself recursively.
• Progressive approach − The recursive calls should progress in such a way that each time a recursive call is made it comes closer to the base criteria.
Implementation

Many programming languages implement recursion by means of stacks. Generally, whenever a function (caller) calls another function (Calle) or itself as calle, the caller function transfers execution control to the Calle. This transfer process may also involve some data to be passed from the caller to the calle.
This implies, the caller function has to suspend its execution temporarily and resume later when the execution control returns from the calle function. Here, the caller function needs to start exactly from the point of execution where it puts itself on hold. It also needs the exact same data values it was working on. For this purpose, an activation record (or stack frame) is created for the caller function.

Dogecoin

A cryptocurrency is a form of digital asset based on a network that is distributed across a large number of computers. This decentralized structure allows them to exist outside the control of governments and central authorities. Dogecoin is a type of  cryptocurrency created by software engineers Billy Markus and Jackson Palmer, who decided to create a payment system as a joke, making fun of the wild speculation in cryptocurrencies at the time. It was initially released on December 6, 2013, and quickly developed its own online community, reaching a market capitalization of US$85,314,347,523 on May 5, 2021.

Dogecoin.com promotes the currency as the “fun and friendly internet currency”, referencing its origins as a joke. It further gained major popularity when  founder, CEO, and Chief Engineer at SpaceX and one of the richest person of the world – Elon Musk talked about it. Billy Markus was a IBM software engineer and Jackson Palmer was a Adobe Software engineer.

Palmer had purchased the domain Dogecoin.com and added a splash screen, which featured the coin’s logo and scattered Comic SanMarkus reached out to Palmer after seeing the site, and started efforts to develop the currency. Markus designed Dogecoin prototype based on other cryptocurrencies such as litecoin and Lucky coin using the scrypt technology in their proof-of-work algorithm.

On December 19, 2013, Dogecoin jumped nearly 300 percent in value in 72 hours, rising from US$0.00026 to $0.00095,with a volume of billions of Dogecoins per day. This growth occurred during a time when bitcoin and many other cryptocurrencies were reeling from China’s decision to forbid Chinese banks from investing into the bitcoin economy. But three days later its value dropped by 80%.

WHAT MAY BE THE REASONS BEHIND INCREASING NUMBER OF DIVORCES ?

The society went through number of shifts in attitude and behavior over the past 80 years and with all these shifts and transitions, the definitions, meanings, lifestyle etc. of people and the life events have also changes. There is change in the beliefs of the people and the meaning of marriage is also redefined and beliefs relating to marriage have also changed significantly. Marriage requires lifelong commitment and is dependent on an individuals fulfillment and satisfaction. With all these shifting’s, the stigma related with divorce has also been eliminated.

With the help of qualitative and quantitative studies it had been seen that there are number of reasons for divorce and some of the major reasons for divorce are lack of commitment, infidelity, and conflict/ arguing. And the most common final straw is domestic violence, infidelity and substance use. In recent decades, there is an increase in number of divorces. The increasing number of divorce is related to various social aspects.

  1. LACK OF PROPER COMMUNICATIONS : Communication is very important when we’re interacting with someone and bad communication can have many impacts on a marriage. It is important to clarify each other’s meanings and concerns, otherwise, it will lead into suspicion, mistrust and arguments and many times it can affect the marriage severely. Arguments in any relationship is not a bad thing and can have healthy results but they can have bad impacts due to lack of communication.
  2. LACK OF COMMITMENT : According to various studies, the major reason behind divorces is the lack of commitment. The commitment gradually erodes until there was not enough commitment for sustaining the relationship and also due to negative events such as infidelity.
  3. ABUSE : When there is abuse in a marriage or in a family then divorce is the best ending and result possible. In some cases it is the husband. While there are some spouses who are able to end and overcome abuse and sometimes with the help of involvement of in laws and elders, the issues can be solved. But everything depends on the attitude and mindset of the person in relationship.
  4. INFIDELITY : Infidelity is considered as a critical turning point in a destroying a relationship and majority of couples end their relationship if they are cheated and due to infidelity. In some cases it is also seen that couples overcome this challenge and find strength to stay together.
  5. ADDICTIONS : Addictions can be in many forms. It can be in the form of alcohol, gambling etc. In many cases it was found that the addicted partner can recover from it and the marriage can be continued but if there is no change and recovery from addictions then it is best for the spouse and children to separate and see if progress is possible. Depending on the circumstance, it can be decided what to do and when to do.
  6. WOMEN’S INDEPENDENCE : Women have become more independent over these years and they are no more dependent on anyone and are no more mere housewives. Women have now become financially, socially, physically and mentally independent and this affects the old aged mentality of many people who believed that women have only one function to play that is nurturing the family. Besides so much advancements, there are many people who have still been hesitant to see women’s progress. And there men who cannot see the progress of women. There are ego clashes which cause dissatisfaction in marriage and lead to divorce.

WHAT MAY BE THE REASONS BEHIND INCREASING NUMBER OF DIVORCES ?

The society went through number of shifts in attitude and behavior over the past 80 years and with all these shifts and transitions, the definitions, meanings, lifestyle etc. of people and the life events have also changes. There is change in the beliefs of the people and the meaning of marriage is also redefined and beliefs relating to marriage have also changed significantly. Marriage requires lifelong commitment and is dependent on an individuals fulfillment and satisfaction. With all these shifting’s, the stigma related with divorce has also been eliminated.

With the help of qualitative and quantitative studies it had been seen that there are number of reasons for divorce and some of the major reasons for divorce are lack of commitment, infidelity, and conflict/ arguing. And the most common final straw is domestic violence, infidelity and substance use. In recent decades, there is an increase in number of divorces. The increasing number of divorce is related to various social aspects.

  1. LACK OF PROPER COMMUNICATIONS : Communication is very important when we’re interacting with someone and bad communication can have many impacts on a marriage. It is important to clarify each other’s meanings and concerns, otherwise, it will lead into suspicion, mistrust and arguments and many times it can affect the marriage severely. Arguments in any relationship is not a bad thing and can have healthy results but they can have bad impacts due to lack of communication.
  2. LACK OF COMMITMENT : According to various studies, the major reason behind divorces is the lack of commitment. The commitment gradually erodes until there was not enough commitment for sustaining the relationship and also due to negative events such as infidelity.
  3. ABUSE : When there is abuse in a marriage or in a family then divorce is the best ending and result possible. In some cases it is the husband. While there are some spouses who are able to end and overcome abuse and sometimes with the help of involvement of in laws and elders, the issues can be solved. But everything depends on the attitude and mindset of the person in relationship.
  4. INFIDELITY : Infidelity is considered as a critical turning point in a destroying a relationship and majority of couples end their relationship if they are cheated and due to infidelity. In some cases it is also seen that couples overcome this challenge and find strength to stay together.
  5. ADDICTIONS : Addictions can be in many forms. It can be in the form of alcohol, gambling etc. In many cases it was found that the addicted partner can recover from it and the marriage can be continued but if there is no change and recovery from addictions then it is best for the spouse and children to separate and see if progress is possible. Depending on the circumstance, it can be decided what to do and when to do.
  6. WOMEN’S INDEPENDENCE : Women have become more independent over these years and they are no more dependent on anyone and are no more mere housewives. Women have now become financially, socially, physically and mentally independent and this affects the old aged mentality of many people who believed that women have only one function to play that is nurturing the family. Besides so much advancements, there are many people who have still been hesitant to see women’s progress. And there men who cannot see the progress of women. There are ego clashes which cause dissatisfaction in marriage and lead to divorce.

Evolution of ‘Tragedy’ in English Drama

Tragedy as known in Dramas is one of the earliest forms of Drama that you can trace back in the history of Drama. With the passage of time ‘Tragedy’ continued to be redefined in history by many famous philosophers as well as playwrights. Both leading us to the present day contemporary Drama which portrays Tragedy in a whole different aspect as compared to the past.

The beginning of Tragic Drama first took place in Greek culture. The well-known stories and myths were the main sources of inspiration for the Tragic plays. The features of the Greek Tragic Drama were as followed. The play involved few actors who themselves played several characters on-stage. There was a norm that tragedy and comedy were never supposed to be mixed. The play strictly followed the three unities in drama known as the unity of place, unity of action and unity of time.

I will now talk about the description of Tragedy in Drama as approached by the early philosophers as well as modern day playwrights. Thus, proving the variations and evolution that took place in the Tragic category of Drama.

As first defined by the great Greek Philosopher Aristotle, a Tragic Drama was a good Tragic Drama if it followed the certain rules as laid out by the Philosopher. The first rule describing the characters of the Drama. According to Aristotle the character had to be good but not too good. This was because the main purpose of the ‘Tragedy’ play was to evoke feelings of pity and sympathy and not any other. This purging of emotions was what he called Catharsis. He also talked about presence of Hamartia in the lead character, which refers to the presence of flaws that later paved way to the tragic aspect of Drama known as the downfall of the protagonist. Aristotle also believed that apart from all this, the action of the play itself had to be proper and of high magnitude.

Geoffrey Chaucer, one of the great poets and writers of the middle English times, gave us why the subjects of tragedy were of ‘High Society’. He explained that the idea of tragedy was to show falseness of human power and wealth. Unlike Aristotle he believed that humble and meekness were the feelings that had to be purged out through tragic plays.

G.W. Hegel a modern philosopher stressed that ‘Tragedy’ in English Dramas had to have a moral conflict. A conflict between two rights.

The present day modern dramas are highly influenced with the ideas of William Shakespeare about Tragedy in Dramas. William Shakespeare was one of the first playwrights to break away from the restrictions about Tragedy as described by the Greeks, the early philosophers and the playwrights. Though he still followed Aristotle’s concepts of tragedy to some extent but he did not completely follow all of his ideas with regard to Tragedy.

The modern-day Dramas today revolve not just around people of high society but also around the stories of ordinary people, leading to a more realistic feeling in Tragedy. It also breaks away the norm of Tragedy not being mixed up with others genres of Drama. Thus, providing the audience with a combination of genres and a great source of entertainment and learning through Dramas.

Evolution of 'Tragedy' in English Drama

Tragedy as known in Dramas is one of the earliest forms of Drama that you can trace back in the history of Drama. With the passage of time ‘Tragedy’ continued to be redefined in history by many famous philosophers as well as playwrights. Both leading us to the present day contemporary Drama which portrays Tragedy in a whole different aspect as compared to the past.

The beginning of Tragic Drama first took place in Greek culture. The well-known stories and myths were the main sources of inspiration for the Tragic plays. The features of the Greek Tragic Drama were as followed. The play involved few actors who themselves played several characters on-stage. There was a norm that tragedy and comedy were never supposed to be mixed. The play strictly followed the three unities in drama known as the unity of place, unity of action and unity of time.

I will now talk about the description of Tragedy in Drama as approached by the early philosophers as well as modern day playwrights. Thus, proving the variations and evolution that took place in the Tragic category of Drama.

As first defined by the great Greek Philosopher Aristotle, a Tragic Drama was a good Tragic Drama if it followed the certain rules as laid out by the Philosopher. The first rule describing the characters of the Drama. According to Aristotle the character had to be good but not too good. This was because the main purpose of the ‘Tragedy’ play was to evoke feelings of pity and sympathy and not any other. This purging of emotions was what he called Catharsis. He also talked about presence of Hamartia in the lead character, which refers to the presence of flaws that later paved way to the tragic aspect of Drama known as the downfall of the protagonist. Aristotle also believed that apart from all this, the action of the play itself had to be proper and of high magnitude.

Geoffrey Chaucer, one of the great poets and writers of the middle English times, gave us why the subjects of tragedy were of ‘High Society’. He explained that the idea of tragedy was to show falseness of human power and wealth. Unlike Aristotle he believed that humble and meekness were the feelings that had to be purged out through tragic plays.

G.W. Hegel a modern philosopher stressed that ‘Tragedy’ in English Dramas had to have a moral conflict. A conflict between two rights.

The present day modern dramas are highly influenced with the ideas of William Shakespeare about Tragedy in Dramas. William Shakespeare was one of the first playwrights to break away from the restrictions about Tragedy as described by the Greeks, the early philosophers and the playwrights. Though he still followed Aristotle’s concepts of tragedy to some extent but he did not completely follow all of his ideas with regard to Tragedy.

The modern-day Dramas today revolve not just around people of high society but also around the stories of ordinary people, leading to a more realistic feeling in Tragedy. It also breaks away the norm of Tragedy not being mixed up with others genres of Drama. Thus, providing the audience with a combination of genres and a great source of entertainment and learning through Dramas.

Carnevale di Venezia!

‘Life is a carnival. You wait in long lines to enjoy a short ride’.

Colors, celebrations, ferry wheels, masks, costumes, merriments, public parades… All these words can be connected with the title of this article. The continuity of traditions is present even now in the city of canals. So, Carnival dye Venezia is one of the popular carnival around the world and the charming characteristic of the city. This carnival also attracts the tourists who visits there with its sumptuous costumes and masks parade. Wearing mask is followed as a traditional one, as it also get to mask the people’s class and status and it also makes fun of aristocracy. Having such carnival creates an enchanting atmosphere with acrobats, jugglers and raffish performances in private cafe and houses.

The carnival takes place in February. It starts before two weeks; prior to the ash wednesday and ends on shrove Thursday. The traces from the official documents of such carnivals are noted before 1094 A.D. as the celebrations that took place before lent. However this tradition was introduced by the act of the senate of the republic of Venice in 1296 A.D. and this has become internationally famous and prestigious during 18th century. But at the end of the century, with French conquest of the Republic 1st in the Austrian occupation and later; the tradition of masks was forbidden and the festivities got survived only in some island of Lagoon. This gradually came back in 19th century and the tradition was restored in 1979, when the Italian government has decided to bring back the history and the culture of Venice.

People would mask themselves as historical characters such as Casanova who had indulged in Venice with wild parties and love affairs and characters tend to interpret comic adventures. Carnival lasts for a couple of weeks and the most important day is last Thursday. St. Mark’s square is found to be the centre of all happenings. A wooden stage would be set around there; and during the last Sunday and last Tuesday, the award will be presented to the best dressed and masked artisans. Every year a theme would be setup and the events would be presented according to it. The theme of art and tradition was followed in the year 2016.

The characters would mask themselves as traditional Venetian artisans. For instance ‘Bata’ is a 17th century character and the masking involves the wearing of white mask under black hat and black cloak. ‘Merrida muda‘ is represented with a dark velvet mask and is often weared by women. Thus the tradition of mask, colour and celebrations tends to attract the tourists. Venice becomes the manufacturer of masks and the parade of traditional 18th century style masks.

Carnevale di Venezia!

‘Life is a carnival. You wait in long lines to enjoy a short ride’.

Colors, celebrations, ferry wheels, masks, costumes, merriments, public parades… All these words can be connected with the title of this article. The continuity of traditions is present even now in the city of canals. So, Carnival dye Venezia is one of the popular carnival around the world and the charming characteristic of the city. This carnival also attracts the tourists who visits there with its sumptuous costumes and masks parade. Wearing mask is followed as a traditional one, as it also get to mask the people’s class and status and it also makes fun of aristocracy. Having such carnival creates an enchanting atmosphere with acrobats, jugglers and raffish performances in private cafe and houses.

The carnival takes place in February. It starts before two weeks; prior to the ash wednesday and ends on shrove Thursday. The traces from the official documents of such carnivals are noted before 1094 A.D. as the celebrations that took place before lent. However this tradition was introduced by the act of the senate of the republic of Venice in 1296 A.D. and this has become internationally famous and prestigious during 18th century. But at the end of the century, with French conquest of the Republic 1st in the Austrian occupation and later; the tradition of masks was forbidden and the festivities got survived only in some island of Lagoon. This gradually came back in 19th century and the tradition was restored in 1979, when the Italian government has decided to bring back the history and the culture of Venice.

People would mask themselves as historical characters such as Casanova who had indulged in Venice with wild parties and love affairs and characters tend to interpret comic adventures. Carnival lasts for a couple of weeks and the most important day is last Thursday. St. Mark’s square is found to be the centre of all happenings. A wooden stage would be set around there; and during the last Sunday and last Tuesday, the award will be presented to the best dressed and masked artisans. Every year a theme would be setup and the events would be presented according to it. The theme of art and tradition was followed in the year 2016.

The characters would mask themselves as traditional Venetian artisans. For instance ‘Bata’ is a 17th century character and the masking involves the wearing of white mask under black hat and black cloak. ‘Merrida muda‘ is represented with a dark velvet mask and is often weared by women. Thus the tradition of mask, colour and celebrations tends to attract the tourists. Venice becomes the manufacturer of masks and the parade of traditional 18th century style masks.

How Much Does India Invest In Olympic Athletes?

Postponed by a year due to the pandemic, the Tokyo Olympics is now less than a month away. Last week, the Union Sports Minister Kiren Rijiju urged the people to extend their support to India’s Olympic-bound athletes, the same way they back India’s cricketers. However, India’s abysmal performances at the Olympics is in striking contrast to India’s immense success at cricket. The model of sports governance and financial irregularities are often blamed for the lack of competitive edge in sports other than cricket. So, the most obvious question that comes to our mind is, how much does India invest in the Olympics?

Money allocated for Sports

In the 2020-21 annual budget, the Government of India allocated Rs 2826.92 crore for sports, which meant an increase of mere ₹ 50 crore from the revised estimates of the financial year 2019-20. The Modi government’s flagship sports programme ‘Khelo India’ received a substantial hike of ₹ 312.42 crore and was allocated ₹ 890.42 crore compared to ₹578 crore in 2019-20. On the other hand, the National Sports Development Fund saw a reduction of ₹ 27.15 crore from ₹77.15 crore in 2019-20 to ₹ 50 crore in 2020-21. National Sports Federations saw the highest decrease after Finance Minister allocated ₹ 245 crore, ₹ 55 crore less than the previous financial year, according to The Wire. Even the budget for meritorious sportspersons saw a 40% reduction from the last financial year. It is important to note that the 2020-21 annual budget was presented in January 2020, when the government had no idea of the coming pandemic. It was also supposed to be the year of the Tokyo Olympics.

Target Olympic Podium Scheme

While these are the broad schemes under which Indian sportspersons are funded, the Target Olympic Podium Scheme (TOPS) provides financial assistance to potential Olympic medal winners. Launched in 2014, TOPS is the flagship programme of the Sports Ministry of India. The top-up funding scheme considers the performance of Indian athletes in the past three years. They are provided with personal coaches and other staff fees, cost of travel during competitions, purchase of equipment, and pocket allowance.

Looking Back At The Last Olympics

In the 2016 Rio Olympic, India spent ₹ 36.85 crore under TOPS, as per Financial Express. Nearly half of that amount was spent on shooting, which was India’s most successful Olympic sport in the previous three games. Shooting is also very expensive, which requires importing equipment from other countries. But shooting failed to bring any medal. Athletics received the second-highest funding of ₹ 7.80 crore in 2016, but India failed to make a mark in the sport. Unfortunately, out of the ₹ 36.85 crore, ₹30.49 crore had gone to disciplines that fell short of goals. Only 1.66 per cent of the total TOPS fund went to the fields that brought India two medals – PV Sindhu in Badminton and Sakshi Malik in wrestling.

Comparison With Other Countries

The United Kingdom allocated close to Rs 9000 crore on sports infrastructure and training in the annual sports budget, whereas India spent only one-third of the UK, Rs 3,200 crore, on youth affairs and sports, before 2016. The UK won 67 medals against India’s two at the Rio Games 2016. Abhinav Bindra had also tweeted back in 2016 that a medal cost UK 5.5 million pounds, and that is the kind of investment India needs to make. Otherwise, we cannot expect much. In the USA, a large number of athletes are privately funded. Individual athletes had started their own funding portal for donations from the general public. Therefore, only 10% of the US Olympic Committee’s finance was spent on athletes in Rio 2016, and the USA finished first. China, on the other hand, is known for its aggressive state-sponsored promotion of sports.

Private Investment In India

Before the 2016 Olympics, Indian Olympic Association (IOA) received donations from Reliance Jio, Amul, Tata Salt, Edelweiss Financial Services, Herbalife, Li Ning, and SBJ. Sakshi Malik had also thanked JSW Sport, a foundation funded by the OP Jindal group, after becoming India’s first medal winner in Rio Games, as reported by Hindustan Times.

However, unlike NSDF, where the contributions and sponsorships are open and documented, private funding to individual athletes is not. And most recently, the JSW Group has come on board to be the official sponsor of Team India in the Tokyo Olympics and has agreed to pledge sponsorship support of ₹ 1 crore to IOA. In 2018, the Sports Ministry earmarked ₹ 100 crore for funding of the athletes for the preparation of Tokyo Olympics 2020, which will take place this year. While the number of medals won cannot be equated to the investments made, since medals are not the only measure of success, India nonetheless needs to invest more and put in a new model of sports governance in action. A

How Much Does India Invest In Olympic Athletes?

Postponed by a year due to the pandemic, the Tokyo Olympics is now less than a month away. Last week, the Union Sports Minister Kiren Rijiju urged the people to extend their support to India’s Olympic-bound athletes, the same way they back India’s cricketers. However, India’s abysmal performances at the Olympics is in striking contrast to India’s immense success at cricket. The model of sports governance and financial irregularities are often blamed for the lack of competitive edge in sports other than cricket. So, the most obvious question that comes to our mind is, how much does India invest in the Olympics?

Money allocated for Sports

In the 2020-21 annual budget, the Government of India allocated Rs 2826.92 crore for sports, which meant an increase of mere ₹ 50 crore from the revised estimates of the financial year 2019-20. The Modi government’s flagship sports programme ‘Khelo India’ received a substantial hike of ₹ 312.42 crore and was allocated ₹ 890.42 crore compared to ₹578 crore in 2019-20. On the other hand, the National Sports Development Fund saw a reduction of ₹ 27.15 crore from ₹77.15 crore in 2019-20 to ₹ 50 crore in 2020-21. National Sports Federations saw the highest decrease after Finance Minister allocated ₹ 245 crore, ₹ 55 crore less than the previous financial year, according to The Wire. Even the budget for meritorious sportspersons saw a 40% reduction from the last financial year. It is important to note that the 2020-21 annual budget was presented in January 2020, when the government had no idea of the coming pandemic. It was also supposed to be the year of the Tokyo Olympics.

Target Olympic Podium Scheme

While these are the broad schemes under which Indian sportspersons are funded, the Target Olympic Podium Scheme (TOPS) provides financial assistance to potential Olympic medal winners. Launched in 2014, TOPS is the flagship programme of the Sports Ministry of India. The top-up funding scheme considers the performance of Indian athletes in the past three years. They are provided with personal coaches and other staff fees, cost of travel during competitions, purchase of equipment, and pocket allowance.

Looking Back At The Last Olympics

In the 2016 Rio Olympic, India spent ₹ 36.85 crore under TOPS, as per Financial Express. Nearly half of that amount was spent on shooting, which was India’s most successful Olympic sport in the previous three games. Shooting is also very expensive, which requires importing equipment from other countries. But shooting failed to bring any medal. Athletics received the second-highest funding of ₹ 7.80 crore in 2016, but India failed to make a mark in the sport. Unfortunately, out of the ₹ 36.85 crore, ₹30.49 crore had gone to disciplines that fell short of goals. Only 1.66 per cent of the total TOPS fund went to the fields that brought India two medals – PV Sindhu in Badminton and Sakshi Malik in wrestling.

Comparison With Other Countries

The United Kingdom allocated close to Rs 9000 crore on sports infrastructure and training in the annual sports budget, whereas India spent only one-third of the UK, Rs 3,200 crore, on youth affairs and sports, before 2016. The UK won 67 medals against India’s two at the Rio Games 2016. Abhinav Bindra had also tweeted back in 2016 that a medal cost UK 5.5 million pounds, and that is the kind of investment India needs to make. Otherwise, we cannot expect much. In the USA, a large number of athletes are privately funded. Individual athletes had started their own funding portal for donations from the general public. Therefore, only 10% of the US Olympic Committee’s finance was spent on athletes in Rio 2016, and the USA finished first. China, on the other hand, is known for its aggressive state-sponsored promotion of sports.

Private Investment In India

Before the 2016 Olympics, Indian Olympic Association (IOA) received donations from Reliance Jio, Amul, Tata Salt, Edelweiss Financial Services, Herbalife, Li Ning, and SBJ. Sakshi Malik had also thanked JSW Sport, a foundation funded by the OP Jindal group, after becoming India’s first medal winner in Rio Games, as reported by Hindustan Times.

However, unlike NSDF, where the contributions and sponsorships are open and documented, private funding to individual athletes is not. And most recently, the JSW Group has come on board to be the official sponsor of Team India in the Tokyo Olympics and has agreed to pledge sponsorship support of ₹ 1 crore to IOA. In 2018, the Sports Ministry earmarked ₹ 100 crore for funding of the athletes for the preparation of Tokyo Olympics 2020, which will take place this year. While the number of medals won cannot be equated to the investments made, since medals are not the only measure of success, India nonetheless needs to invest more and put in a new model of sports governance in action. A