Schindler’s Ark: The Book Review

***First Printed Edition*** of ***Schindler’s Ark***

Introduction

Australian author Thomas Keneally‘s novel first “Schindler’s Ark” (later republished as Schindler’s List) brought the story of Oskar Schindler’s rescue of Jewish people during the Nazi Holocaust, to international attention in 1982, when it won the Booker Prize. It was made by Steven Spielberg into the Oscar-winning film Schindler’s Listin 1993, the year Schindler and his wife were named Righteous Among the Nations.

About The Author

Thomas Michael Keneally, (born 7 October 1935) is an Australian novelist, playwright, essayist and actor. Keneally’s first story was published in The Bulletin magazine in 1962 under the pseudonym Bernard Coyle. By February 2014, he had written over 50 books, including 30 novels. He is particularly famed for his Schindler’s Ark (1982) (later republished as Schindler’s List), the first novel by an Australian to win the Booker Prize and is the basis of the film Schindler’s List. He had already been shortlisted for the Booker three times prior to that: 1972 for The Chant of Jimmie Blacksmith, 1975 for Gossip from the Forest, and 1979 for Confederates. Many of his novels are reworkings of historical material, although modern in their psychology and style.

Storyline of The Novel

The story of the novel is based on true events, on account of the Nazi Holocaust during World War II. Oskar Schindler, (born April 28, 1908, Svitavy [Zwittau], Moravia, Austria-Hungary [now in the Czech Republic]—died October 9, 1974, Hildesheim, West Germany), German industrialist who, aided by his wife and staff, sheltered approximately 1,100 Jews from the Nazis by employing them in his factories, which supplied the German army during World War II.

Poster of ***Steven Spielberg***‘s movie ***Schindler’s List (1993)***

In the shadow of Auschwitz, a flamboyant German industrialist grew into a living legend to the Jews of Kraków. He was a womaniser, a heavy-drinker and a bon viveur, but to them he became a saviour. This is the extraordinary story of Oskar Schindler, who risked his life to protect Jews in Nazi-occupied Poland and who was transformed by the war into a man with a mission, a compassionate angel of mercy.

***Liam Neeson*** as ***Oskar Schindler*** in ***Schindler’s List (1993)***

Analysis of The Storyline

The novel introduced a vast and diverse cast of characters. However, the focus of the narrative was between Oskar Schindler and Amon Goeth. In the story, there was a dichotomy between what is essentially good and what is evil, that was personified by these two primary characters. Goeth represented everything evil. The war churned out a selfish and heartless sadist who found delight in inflicting pain on the Jews. Ironically, he lusted after his Jewish maid. Schindler, on the other hand, was portrayed as the Good German. He didn’t believe everything that the Nazi regime was saying against the Jews. He was, however, a man of contradictions. Despite being depicted as the epitome of goodness, he lived a self-indulgent lifestyle, which included proclivity towards the bottle and women. His infidelities have been a constant source of pain for his wife, Emilie. He also uses his connections to gain the upper hand in negotiations; it would also be a seminal part of his campaign to save the Jews.

***Ralph Fiennes*** as ***Amon Goeth*** in ***Schindler’s List (1993)***

Criticism of The Storyline

The amount of research poured to recreate the story of Oskar Schindler was astounding. And the starting point to this is as interesting as the novel itself. As noted in the Author’s Note, a chance encounter in 1980 led to the novel. Schindler’s motivation for protecting his workers was rarely ever clear, especially at the start. Questions still hound his true intentions. He, after all, brazenly took advantage of the cheap labour the Jews offered at the start of his enterprise. Is Schindler an anti-hero? The answer can be found in Keneally’s extensive research. Through interviews with surviving Schindlerjuden and different Second World War archives, he managed to identify the point in which Schindler decided to protect the Jews. While horseback riding on the hills surrounding Kraków, he witnessed an SS Aktion unfold on the Jewish ghetto below. The Jews were forcefully taken out of their houses. Those who resisted were shot dead, even in the presence of children. Witnessing the atrocious acts firsthand turned Schindler’s stomach. It was then that he resolved to save as many Jews as he can.

Scene from ***Schindler’s List (1993)***

Overall, what didn’t work was the manner in which Keneally related the story of Oskar Schindler. As the story moved forward, it became clearer that Keneally was unsure of how to deliver the story. His resolve to remain loyal to Oskar’s story was commendable. He endeavored to do just that but it never fully came across. The result was an amalgamation of fiction and historical textbook. The strange mix muddled the story and the result was a perplexing work of historical fiction. It is without a doubt that one of the darkest phases of contemporary human history is the Second World War. Nobody expected that the meteoric ascent of Der Führer, Adolf Hitler, in the German political ladder would lead to a devastation of global scale. As the Axis forces march towards and beyond their boundaries, they would leave death and destruction in their wake, stretching from Europe, to the Pacific, and to the Far East. The consequences of the war would resonate well beyond its time. With genocides, concentration camps, and slave labour commonplace, the war was a reflection of the human conditions. Its peak, the Holocaust, exhibited the extent of the darkest shades of the human spirit. It was a grim portrait.

Indeed, the Second World War brought out the worst in humanity. However, in times of darkness, there are those among us who rise to the occasion. One of them is Oskar Schindler whose story was related by Thomas Keneally in his nonfiction novel, Schindler’s List (1982).

Conclusion

While Keneally‘s dramatization of this great man’s exploits is lacking in novelistic shape or depth, the brutality and heroism are satisfyingly, meticulously presented–as plain, impressive, historical record; and if admirers of Keneally’s more imaginative work may be disappointed, others will find this a worthy volume to place beside one of the several Wallenberg biographies.

Bengali Mishtis: The Delectable Sweet Affair of Bengal

***Traditional Sweets*** of ***Bengal***

Introduction

Bengal is well-known for its music, cinema and delicious food, especially the mouth-watering sweets. In fact, it’s rather hard not to run into a sweet shop in almost every corner of the land, including the narrowest of the lanes. And, it’s equally hard to find a Bengali who is not in love with their ‘mishti’. Bengalees are incredibly proud of the sweets of Bengal and their unique appeal. And for a good reason too — Bengali sweets have wooed Indians and foreigners alike.

History of Sweets in Bengal

The prominent presence of sweets in Bengali cuisine can be noted throughout history. Ancient Bengal was known as ‘Gauda Banga’, a name believed to be originated from the term ‘Gur’ or molasses that were harvested in abundance in the region. The early Bengali sweets were made from the delicious jaggery or molasses and coconuts. There were several sweets made from ‘khoya and kheer’, which are Bengali names for milk solids and condensed milk, respectively. Sweets like ‘Naru’, ‘Moya’ and ‘Takti’ were popular in ancient Bengal. The uses of different fruits to make a variety of sweets were also prevalent. Books like Manasa Vijaya Kavya, written by 15^th-century Bengali poet Bipradas Pipilai, also account for how varieties of ‘pithe’ or Indian Cake made from rice flour, jaggery, kheer and milk solids have been an integral part of Bengali rituals and festivals.

***Traditional Coconut Balls*** or ***Narkel Naru***

The introduction of ‘Chhana’ (Cottage Cheese) in Bengali cuisine happened after the Portuguese invaded Bengal, yet it’s interesting how today most of the characteristic Bengali sweets are made primarily from fresh ‘chhana’ (cottage cheese) and sugar. The curdling of milk with an acidic substance was forbidden according to Hindu cultures, but the Portuguese loved their cheese. After settling down in and around Kolkata in the 17^th century, the Portuguese tradition of making sweets with cheese inspired the local cuisine as well. The Bengali confectioners then picked up this incredible art of curdling milk and creating mouth-watering ‘Sandesh’ and ‘Rosogollas’ among others.

Some Famous Bengali Sweets

Bengalees love all their sweets but among those, some are all time winners who can brighten up moods on a tiring day, and can even spoil a diet that you are maintaining for too long! Let’s dive deep into the varieties of some scrumptious and unique Bengali Mishtis.

Sandesh

The simplest yet one of the most loved sweet of Bengal, is Sandesh. Generally, made by fine kneading of fresh cottage cheese along with sugar powder, cardamom essence and pistachios to garnish. If jaggery is used, instead of sugar then, it’s called Nolen Gurer Sandesh.

Pantua

One of Bengal’s most loved syrupy sweets, is Pantua. Though it has an uncanny similarity with North India originated Gulab Jamun, taste and procedure wise they are quite different. Balls made of cottage cheese, semolina are deep fried and then tossed in sugar syrup until completely soaked in. And unlike Gulab Jamun, they can be served cold too.

Kheer Kadam

The name of this sweet is suggestive of a flower named Kadamphool in Bengal. The flower is bright yellow in colour cover by soft, white spikes and has a distinctive smell. This Mishti resembles the flower, and has a layer of Sandesh covered over small Rosogollas .

Lyangcha

Lyangcha is a cylindrical fried sweet, soaked in sugar syrup and prepared with Fresh Chhena (Cottage cheese) and Mawa/ Khowa. To make soft and tasty Lyangcha use of Fresh Chhena is must. Originated from Shaktigarh, around 80kms from Burdwan in West Bengal, Lyangcha is a staple of Traditional Bengali Mishtis.

Komola Bhog

As the name suggests, Komola Bhog is literally the orange flavored Rosogolla, (Komola means Orange in Bengali) with the sweetness of Rosogollas and the tanginess of Orange. And of course, they are bright Orange in colour.

Jolbhora Sandesh

Jolbhora Sandesh, also known as Taalsas, is a sweet shaped like a ‘taal’ or kernel of the palm fruit. The sweet was created on the event of ‘Jamaisasthi’ by Surjya Modak. It is filled with sweet ‘Nolen gur’ inside and thus got its name. According to stories, Bandopadhay family of Chandernagar requested these sweets for their son-in-law. When he took his first bite of the sweet, the sweet juice spilled out. The sweet, thus, got well-known among the Bengalis.

***Jol Bhora*** or **Taal sas** ***Sandesh***

Sitabhog

Originated from Burdwan in Bengal, Sitabhog, according to Legends, was Goddess Sita’s favourite dessert and hence the name. Sita Bhog is prepared by frying a dough made of cottage cheese and powdered rice in ghee and then soaking it in sugar syrup. The final product looks like vermicelli served along with mini Gulab jamuns.

Mihi-Dana

Originated from Burdwan in Bengal , these are one of the famous sweets, that has similarities with Motichur. These are granular, deep fried and soaked into sugar syrup. Recently, Mihi-Dana has received GI Tag from UNESCO and has received its first enormous foreign order to export to The Kingdom of Bahrain.

Ledikeni/ Lady Kenny

Ledikeni or lady Kenny has been a popular Bengali dish since the British rule. The dish is named after Lady Canning, the wife of Charles Canning who was the Governor-General of India during the 19th century. The dish a light brown sweet ball made of Chenna which is fried and then soaked in sugar syrup. It tastes divine and is prepared on most auspicious days.

Rosogollas

Rosogollas has done the honourable deed of introducing many, if not all, North Indians to the Bengali cuisine. These magical balls are prepared by dipping a mixture of cottage cheese and semolina dough into a sweet sugar syrup. The mere thought of those soft and spongy balls makes the mouth water.

Laal Mishti Doi (Caramelized Sweet Yogurt)

Just like the name, this Bengali dessert is extremely simple and sweet. Mishti Doi is essentially sweetened yogurt which is prepared by adding sugar to boiling milk, then leaving it to ferment overnight and is served chilled. This quintessential dessert is often served in small earthen pots which add to the aesthetics of this dish.

Conclusion

Ending on a sweet note, Mishtis are also an important part of the culture and tradition of Bengal. Be it during the festivals or weddings or just greeting guests, Bengali Mishtis are always the stars of the show. If you’re a sweet-tooth, you should try these once in a while. And good news is, that many of them are now available online to order from in India and abroad.

Analyzing Mid-day Meal: India’s School Lunch System

Official Logo of Mid-day Meal Scheme

Introduction

Food is a basic need of life. And Education is important to make the life affluent. A hungry stomach cannot grasp the teachings of Education at school, there to provide better Education, schools all around the world, offer lunch to the students. In India, the system of school lunch is referred to as Mid-day Meal. In today’s editorial, we’re going to share insights about the system of Mid-day Meal in India.

***Coverage*** of ***Mid-day Meal Scheme*** in ***India***

Brief Idea of What Mid-day Meal Is

The Midday Meal Scheme, launched in 1995 by former Prime Minister of India, P.V. Narsimha Rao, under the Ministry of Education, is a school meal programme in India designed to better the nutritional standing of school-age children nationwide. The programme supplies free lunches on working days for children in primary and upper primary classes in government, government aided, local body, Education Guarantee Scheme, and alternate innovative education centres, Madarsa and Maqtabs supported under Sarva Shiksha Abhiyan , and National Child Labour Project schools run by the Ministry of Labour. Serving 120 million children in over 1.27 million schools and Education Guarantee Scheme centres, the Midday Meal Scheme is the largest of its kind in the world.

Students having ***Mid-day Meal*** at a ***School*** in ***India***

Objectives of Mid-day Meal Scheme

To increase the enrolment in the schools of children who belong to disadvantaged sections of the society .
To increase attendance of students in Government and Government aided schools.
To retain the children studying in class I to VIII.
To give nutritional support to the children studying in the elementary level, specially in drought-prone areas.
To address hunger and malnutrition and increase socialization among the castes.

***Mid-day Meal Scheme Timeline*** in ***India***

Features of Mid-day Meal Scheme

It is one of the world’s largest school meal programs intended to achieve the goal of universalization of primary education.
For the implementation of the scheme, the Ministry of Human Resources and Development is the authorized body to implement the scheme.
It is a centre-sponsored scheme, so, the cost is shared between the states and the centre. Where the share of the centre is 60 percent.
The first state to implement the midday meal scheme was Kerala in 1984.
Till 2002, the scheme is designed especially for the government, government-aided and local body schools. But later on, the benefit of the mid-day meal scheme is extended to those children who were studying in educational guaranteed scheme centres or Alternative & Educational Centres.
In 2004, the scheme is again revised, and central assistance is offered for the cooking cost. Apart from that, the transport subsidy included for all states, maximum of Rs 100 per quintal is provided to the special category states and Rs 75 per quintal for other states.
The provision of serving mid-day meals during summer vacation to the children in drought-affected areas was also added.
In 2006, the cooking cost was enhanced to Rs 1.80 per child/ school day for states in North Eastern Region and Rs 1.50 per child/ school day for other states and UTs.
In 2007, the scheme benefit is also extended to the children studying in the educationally Backwards Blocks.
Apart from the calories and food intake, for micronutrients (tablets and deworming medicines), each child is entitled to receive the amount provided for in the school health program of the National Rural Health Mission.
Meals provided under the Mid-day Meal Scheme

***Food Norms*** under ***Mid-day Meal Scheme***

The quantity of food items provided under this scheme per child per school day is as follows:

Food items	Primary level (Class I-V)	Upper level (Class VI-VIII)
Food Grains	100 gms	150 gms
Pulses	20 gms	30 gms
Vegetables (leafy also)	50 gms	75 gms
Oil & fat	5 gms	7.5 gms
Salt & condiments	As per need	As per need

Calories Intake	Primary	Upper Primary
Energy	450 calories	700 calories
Protein	12 grams	20 grams

Advantages of Mid-day Meal

It satisfies the hunger of many children.
Supplying nutrition to children of the poor section helps them in concentrating on their studies better.
Students come to government schools daily and won’t be asked to do labour work.
Addresses the issue of malnutrition.

Recent Improvisation of Mid-day Meal Scheme

During the celebration of India’s 75^th Independence Day as Azadi Ka Amrit Mahotsav, the Cabinet approved for the implementation of PM POSHAN SHAKTI NIRMAN for next 5 years i.e. 2021-22 to 2025-26.

Conclusion

There is no doubt that school is the only place that contributes to the socio-economic development of society. Here children from various backgrounds come together for promoting the culture of unity and brotherhood. The education they receive at school prepares them to achieve their goals and lead a successful life. When we talk about government schools, here children mostly come from economically challenged backgrounds. So, even though education schemes like Sarva Shiksha Abhiyaan are being implemented, the difficult financial conditions force these children to skip school and go on work. In such kind of circumstances, the real potential of mid-day meal surfaces. Mid-day meal acts as an attractive incentive for parents to send their children to school with the sole hope that the young ones will receive at least one plate full of the meal for the day.

Bauls of Bengal: The Devoted Folk Singers

Introduction

The Bauls of Bengal are an order of wandering folk singers that have kept their philosophies alive for centuries. But modern demands threaten to overtake their simple, itinerant lifestyles. Now, an audio-visual record is being taken to keep their vocal traditions alive for generations yet to come.

Bauls : Who They Are

In the Bengal region of South Asia, however, itinerant mystics are still welcomed widely, respected for their sincere but simple way of life, and rewarded for the brilliance of their performances, sharing memorable poetry and music, mainly with rural communities, much as they have done for several centuries. These are the Bauls of Bengal – a group that pursue a life of self-denial and meditative discipline, committed to a belief that ‘the ultimate’ existence is to be found, not so much through rituals in holy places, but in every ‘self’ and are enthusiastic to share this passion almost exclusively through their art. Bauls belong to an unorthodox devotional tradition, influenced by Hinduism, Buddhism, Vaishnavism and Sufi Islam, yet distinctly different from them. Bauls neither identify themselves with any organized religion nor with the caste system, special deities, temples or sacred places. They share only one belief —that God is hidden within the heart of man and neither priest, prophet, nor the ritual of any organized religion will help one to find Him there. To them we are all a gift of divine power and the body is a temple, music being the path to connect to that power.

Historic Background

The word Baul comes from the Sanskrit word “Batul,” which means mad and is used for someone who is possessed or crazy for God. The Bauls are wandering minstrels of West Bengal and Bangladesh, whose song and dance reflect the joy, love and longing for mystical union with the Divine. The Baul tradition of mendicancy – ascetics who entertain in exchange for subsistence – has ancient origins, and seems to have thrived well before the rule of the great Mughal Emperors from the 16th to 18th centuries, a period during which Islam spread eastwards from the Middle East to Bengal and beyond. Originally the district of Birbhum in West Bengal was the seat of all Baul activity. Later, the Baul domain stretched to Tripura in the north, Bangladesh in the east, and parts of Bihar and Orissa in the west and south respectively. In Bangladesh, the districts of Chittagong, Sylhet, Mymensingh and Tangyl are famous for Bauls. Bauls from far off places come to participate in the Kenduli Mela and the Shantiniketan Poush Mela –the two most important fairs held in West Bengal for Baul music.

The Characteristics and Attires

They can often be identified by their distinctive clothes and musical instruments. It’s easy to identify a Baul singer from his uncut, often coiled hair, saffron robe (alkhalla), a necklace of beads made of basil (tulsi) stems. Bauls use a number of musical instruments: the most common is the ektara, a one-stringed “plucked drum” drone instrument, carved from the epicarp of a gourd, and made of bamboo and goatskin. Others include the dotara, a long-necked fretless lute (while the name literally means “two stringed” it usually has four metal strings) made of the wood of a jackfruit or neem tree; besides khamak one-headed drum with a string attached to it which is plucked. The only difference from ektara is that no bamboo is used to stretch the string, which is held by one hand, while being plucked by another. Drums like the duggi a small hand-held earthen drum, and dhol and khol; small cymbals called kartal and manjira, and the bamboo flute are also used. Ghungur and nupur are anklets with bells that ring while the person wearing them dances.

Lalan Fakir : The Legend of Baul Movement

Lalan Fakir (1774 -1890), the greatest of all Bauls, continued to compose and sing songs for decades without ever stopping to correct them or put them on paper. He composed a thousand songs, of which just 600 can be traced. It was only after his death that people thought of collecting and compiling his repertoire. He rejected the division of society into communities, protesting and satirising religious fundamentalism of all kinds. Lalan’s metaphysical lyrics raise a basic question – that if there is a single creator then why so many religions exist ? This is a pertinent problem in today’s world; we all know that the different ‘Gods’ have created acrimony between races and sects and as of today this concept of different ‘Gods’ remains the most decisive divisive force on planet Earth. His most famous song quoted, “Khanchar Bhitor Ochin Pakhi Kemne Ase Jay”. In 2004, Lalan was ranked 12 in BBC’s poll of the Greatest Bengali of all time.

Baul Philosophy

Bauls do not believe in the pious ‘other world’ and most of the times deny the presence of super powers. Looking from a different angle it can be said that according to them, ‘God’ resides in each human being and it is for the human being to realise this truth, the human beings are the best exponents of spirituality ever to tread on this Earth. Nowhere did this philosophy leave its imprint more powerfully than on the work of Rabindranath Tagore, who talked of Bauls in a number of speeches in Europe in the 1930s. An essay based on these was compiled into his English book ‘The religion of man’. An important part of Baul philosophy is “Deha tatta”, a spirituality related to the body rather than the mind. They seek the divinity in human beings. Often, the lyrics philosophize on love and stress to remain unattached and unconsumed by the pleasures of life even while enjoying them. Baul music celebrates celestial love, but does this in very earthy terms.

International Connection

Referred to as the Baul Samrat, Purna Das Baul, introduced Baul songs to the West during an eight-months tour of the US in 1965 with stars like Bob Dylan, Joan Baez, Paul Robeson, Mick Jagger, Tina Turner, and all. Dubbed “India’s Bob Dylan” by the New York Times in 1984, Purna Das Baul has played with Bob Marley, Gordon Lightfoot and Mahalia Jackson and the likes. Currently another version of Baul called the folk fusion also called baul rock is also greatly accepted by the audience, especially in West Bengal. Kartik Das Baul has taken baul to different heights by associating himself with folk fusion. This type of baul was brought into the world of music by ‘Bolepur Bluez’, which was world’s first folk fusion band. There are also the Western Bauls in America and Europe under the spiritual direction of Lee Lozowick, a student of Yogi Ramsuratkumar. Their music is quite different (rock /gospel/ blues) but the essence of the spiritual practices of the East is well maintained.

A ***Baul*** in ***Shantiniketan,Birbhum***

Conclusion

The tradition is so integral to Bengal that it’s hard to think of Bengali culture sans the Bauls. They’re not only an intrinsic part of Bengal’s music, they’re in the mud and air of this land and in the mind and blood of its people. The spirit of the Bauls is the spirit of Bengal– ever-flowing in its society and culture, literature and art, religion and spirituality.

Contemporary Fashion: The Minimalist’s Coverbook

Models walk the runway at the 3.1 ***Phillip Lim Fashion*** Show during ***Mercedes-Benz Fashion Week Fall 2015*** at ***Skylight Clarkson SQ***. on February 16, 2015 in the ***Brooklyn borough*** of ***New York City***.

Introduction

The sense of fashion never goes out-of-date for a true fashionista. Among the Millions of fashion lingos in today’s market , one that often dominantly buzzes around, is the term “Contemporary Fashion”.Meant to describe labels with a designer aesthetic and more accessible price points and we use the term “accessible” loosely, with most pieces averaging out around $500 , the term means big bucks where the fashion industry’s concerned, having become one of the biggest areas people spend their money in the last few years.

What Contemporary Fashion Is

Contemporary apparel is clothing that is accessible, in price and in terms of the way people wear it. The contemporary category often contains more modern-style clothes compared to the higher end luxury market. The voice of the contemporary industry is a bit more modern and a tad younger. Contemporary brands appeal to both the luxury shopper and the new breed of aspirational shopper. This tier has become a go-to for women who can no longer justify shelling out huge amounts of cash on designer garb. It is also appealing to people bored of regular fashion and who are prepared to spend that little bit extra for something that will last.

A great contemporary brand is one with a unique look and feel. Garments and accessories will have interesting construction details and a good-quality finish. The collections are in line with seasonal trends but also incorporate signature items that consumers immediately recognize and associate with the designer brand.

Is It Futurist: The Sustainability Question

In fashion, the term ‘futuristic’ is often used to describe avant-garde clothing designs. It could refer to several things, such as the clothing’s method of production, the materials used, or the garment’s design. Futurism can even refer to the 20^th century Italian art movement, and indeed, this movement addressed the problem of designing fashion for the 20^th century. We would learn much by examining Futurist fashions in order to understand its legacy in relation to contemporary fashion designers viewed as futuristic today. This paper will review this legacy by looking at five specific examples—Italian Futurists and their contribution to classless and genderless fashion; French designer Yves Saint Laurent’s iconic minidress inspired by the De Stijl art movement; fashion designed specifically for women with active lifestyles; technological advancement and space exploration seen in the designs of André Courrèges and Pierre Cardin; and advancements in textile manufacturing during the late 20^th and early 21^st century in relation to Karl Lagerfeld, Donatella Versace, and Hussein Chalayan. This leads to the primary analysis of Iris van Herpen and other contemporary designers including Noa Raviv and Neri Oxman. Their designs will be discussed in relation to the problem of labelling fashion as futuristic.

Challenges of Contemporary Fashion

The contemporary brands fashion market is clearly brimming with a high level of competition. The up-and-coming contemporary designers are forced to continuously compete with older, established luxury brands in the targeting of the younger generation of consumers. The contemporary market began out of consumers’ need and want to own versatile clothing that could be worn on a daily basis. Stylish consumers were hungry for locating a head-to-toe outfit that luxury brands create, but could be sold at a more reasonable tag.

***Simone Racha Catwalk Show*** at ***London Fashion Week***

Scopes of Contemporary Fashion

Due to the fact that contemporary brands appeal to several groups of consumers, this industry will continue to see global opportunities. Fashion editors and industry insiders agree that contemporary brands have stolen the limelight and are helping to bridge the gap between luxury brands and main street.

Not only will contemporary labels allow you to up your designer arsenal without forcing you to exist on an exclusively Kraft Dinner diet, but the pieces are also constructed with everyday wear in mind (no couture-like assembly required). Not to mention that contemporary lines still boast that oh-so-coveted designer aesthetic and quality craftsmanship—perfect if you’re looking to break away from the usual suspects in fast fashion retail.

Famous Contemporary Fashion Designers and Their Works

Carven: Founded in 1945 in Paris, Carven has enjoyed a resurgence since the hiring of designer Guillaume Henry in 2009, who transformed the house from old-school couturier into the cool girl’s label du jour.

***Carven Spring 2014 ready-to-wear collection***

***Carven Fall-Winter 2015-16 collection***

N°21: Started in 2010 in Milan by designer Alessandro Dell’Acqua, the brand offers a smorgasbord of whimsical designs that can be effortless.

***N°21*** ***Spring- Summer 2018 collection***

***N°21*** ***Spring-Summer 2021*** ***collection***

Jonathan Simkhai: Starting from NYC His first womenswear collection was shown in 2010, where Simkhai debuted his take on dressing for today’s cosmopolitan woman. A master at tailoring oversized pieces to flatter the female form, his designs run the gamut from exaggerated boxer shorts to basketball jerseys.

***Simkhai Fall 2020 ready-to-wear collection***

Sandro : Launched by husband-and-wife duo Didier and Evelyne Chétrite, Sandro is a well-known and popular brand in the contemporary market. Since its launch in 1984 (in the Marais district of Paris), the label has gathered a cult following with women charmed by its insouciant, season less separates and rock’n’roll aesthetic. Sandro has stores worldwide in places such as New York and Japan, and a flagship store based in Covent Garden, central London.

**Sandro Spring-Summer 2021 Mens*wear Collection***

Conclusion

Consumers want to feel like they own something special and unique. They want exclusive quality labels that are not mass produced, yet are still affordable. It is important to keep in mind that this category is less expensive then higher tiers such as Haute Couture, but the prices are clearly higher than budget collections.The changing demographic of fashion consumers and the rise of contemporary brands. To stay in the game, luxury fashion marketers must compete on a global scale.

Cleopatra: The Queen, The Myth, The History

Introduction

The studies of History never ceases to amaze us with its unfolding secrets, bizarre facts and notable events that took place throughout ages. History has made many rulers popular, many famous and many infamous through their deeds during their ruling periods. But, Cleopatra VII of Egypt, still remains a fantasy for the connoisseurs of History for her incredible brain and beauty. In Today’s editorial, we’re going to discuss about Cleopatra, the empress of Egypt who enticed the world with her inevitable ruling skills and irresistible charm.

Cleopatra: Who She Was

Cleopatra VII ruled ancient Egypt as co-regent (first with her father, then with her two younger brothers and finally with her son) for almost three decades. She was part of a dynasty of Macedonian rulers founded by Ptolemy, who served as general under Alexander the Great during his conquest of Egypt in 332 B.C. Well-educated and clever, Cleopatra could speak various languages and served as the dominant ruler in all three of her co-regencies. Her romantic liaisons and military alliances with the Roman leaders Julius Caesar and Mark Antony, as well as her supposed exotic beauty and powers of seduction, earned her an enduring place in history and popular myth.

***Artwork*** of ***Cleopatra***, by ***Frederick Arthur Bridgman (1896)***

Early Life and Ascension to The Throne

Cleopatra, in full Cleopatra VII Thea Philopator (born 70/69 BCE—died August 30 BCE, Alexandria) was the daughter of King Ptolemy XII Auletes. Cleopatra was destined to become the last queen of the Macedonian dynasty that ruled Egypt between the death of Alexander the Great in 323 BCE and its annexation by Rome in 30 BCE. The line had been founded by Alexander’s general Ptolemy, who became King Ptolemy I Soter of Egypt. Cleopatra was of Macedonian descent and had little, if any, Egyptian blood. Coin portraits of Cleopatra show a countenance alive rather than beautiful, with a sensitive mouth, firm chin, liquid eyes, broad forehead, and prominent nose. When Ptolemy XII died in 51 BCE, the throne passed to his young son, Ptolemy XIII, and daughter, Cleopatra VII. It is likely, but not proven, that the two married soon after their father’s death. The 18-year-old Cleopatra, older than her brother by about eight years, became the dominant ruler. Evidence shows that the first decree in which Ptolemy’s name precedes Cleopatra’s was in October of 50 BCE. Soon after, Cleopatra was forced to flee Egypt for Syria, where she raised an army and in 48 BCE returned to face her brother at Pelusium, on Egypt’s eastern border. The murder of the Roman general Pompey, who had sought refuge from Ptolemy XIII at Pelusium, and the arrival of Julius Caesar brought temporary peace.

***Statue*** of ***Julius Caesar*** in ***Rome, Italy***

Cleopatra’s Romantic Roman Connection

Cleopatra realized that she needed Roman support, or, more specifically, Caesar’s support, if she was to regain her throne. Each was determined to use the other. Caesar sought money for repayment of the debts incurred by Cleopatra’s father, Auletes, as he struggled to retain his throne. Cleopatra was determined to keep her throne and, if possible, to restore the glories of the first Ptolemies and recover as much as possible of their dominions, which had included southern Syria and Palestine. Caesar and Cleopatra became lovers and spent the winter besieged in Alexandria. Roman reinforcements arrived the following spring, and Ptolemy XIII fled and drowned in the Nile. Cleopatra, now married to her brother Ptolemy XIV, was restored to her throne. In June 47 BCE she gave birth to Ptolem Caesar . The Child was believed to be Caesar’s child, and was known by the Egyptian people as Caesarion, or Little Caesar.

***Assassination*** of ***Julius Caesar***

Sometime in 46-45 B.C., Cleopatra traveled with Ptolemy XIV and Caesarion to Rome to visit Caesar, who had returned earlier. After Caesar was assasinated in March 44 B.C., Cleopatra went back to Egypt; Ptolemy XIV was killed soon after (possibly by Cleopatra’s agents) and the three-year-old Caesarion was named co-regent with his mother, as Ptolemy XV.

Mark Antony: The Love of Cleopatra

When, at the Battle of Phillpi in 42 BCE, Caesar’s assassins were routed, Mark Antony became the heir apparent of Caesar’s authority—or so it seemed, for Caesar’s great-nephew and personal heir, Octavian, was but a sickly boy. Antony, now controller of Rome’s eastern territories, sent for Cleopatra so that she might explain her role in the aftermath of Caesar’s assassination. She set out for Tarsus in Asia Minor loaded with gifts, having delayed her departure to heighten Antony’s expectation. She entered the city by sailing up the Cydnus River in a barge while dressed in the robes of the new Isis. Antony, who equated himself with the God Dionysus, was captivated.

***Decadent affair*** between ***Mark Antony*** and ***Cleopatra***

In 40 BCE Cleopatra gave birth to twins, whom she named Alexander Helios and Cleopatra Selene.

Cleopatra’s Death: The End

On September 2, 31 B.C., Octavian’s forces soundly defeated those of Antony and Cleopatra in the Battle of Actium . Cleopatra’s ships deserted the battle and fled to Egypt, and Antony soon managed to break away and follow her with a few ships. With Alexandria under attack from Octavian’s forces, Antony heard a rumour that Cleopatra had committed suicide. He fell on his sword, and died just as news arrived that the rumour had been false.

On August 12, 30 B.C., after burying Antony and meeting with the victorious Octavian, Cleopatra closed herself in her chamber with two of her female servants. The means of her death is uncertain, but Plutarch and other writers advanced the theory that she used a poisonous snake known as the asp, a symbol of divine royalty, to commit suicide at age 39. According to her wishes, Cleopatra’s body was buried with Antony’s, leaving Octavian (later Emperor Augustus I) to celebrate his conquest of Egypt and his consolidation of power in Rome.

***William Shakespeare***‘s ***Antony*** and ***Cleopatra***

Cleopatra: The Enchantress Throughout Ages

Cleopatra remains a charm to cultures having relevance even today. Her bizarre beauty hacks including pomegranate lip-tint and a bath regime curated out of jennet(female donkey) milk arestill a talk among Beauty enthusiasts. Her famous pearl in vinegar concoction drink stirs curiosity among people. Her life was made into various plays and movies. From Shakespeare stems a wealth of Cleopatra-themed art—plays, poetry, paintings, and operas. In the 20th century Cleopatra’s story was preserved and further developed through film.

***Theda Bara*** as ***Cleopatra (1917)***

***Claudette Colbert*** as ***Cleopatra (1934)***

***Elizabeth Taylor*** as ***Cleopatra (1963)***

Many actresses, including Theda Bara (1917), Claudette Colbert (1934), and Elizabeth Taylor (1963), have played the queen, typically in expensive, exotic films that concentrate on the queen’s love life rather than her politics. Caesar and Cleopatra, four-act play by George Barnard Shaw , written in 1898, published in 1901, and first produced in 1906. It is considered Shaw’s first great play. Cleopatra, American epic movie, released in 1963, that was perhaps best known for its off-screen drama, notably production overruns that nearly bankrupted Twentieth Century-Fox and the affair between stars Elizabeth Taylor and Richard Burton.

Conclusion

A queen, an empress, a ruler, a passionate lover, a beauty with brain – Cleopatra was literally all in one. She’s definitely considered as one of the most celebrated queen recorded in World history. Tales of her rule and of her beauty still make her unforgettable to the modern Era of History learners. She was a legend, who is encrypted in History forever, with the never ending myths surrounding her life.

Behind every ivory trinket-is a dead elephant?

It is distressing to see the plight of the tusk-bearing animals these days. Numerous news headlines are daily highlighting the illegal smuggling of ivory. The extortionate value and demand of the ivories are not only in India, but also in the international markets. Wild animals are mercilessly being poached on a massive scale, possessing a major existential threat to wildlife. But do we really care or do enough to stop this inhumane and selfish act?

Let us first understand the connotation of the word ‘poaching’.

Poaching, in simple words, is the illicit act of killing, shooting, hunting or capturing of animals. The aim of this illegal act is mainly for the purpose of trade of animal products like skin, teeth, horn, bone, etc. Poaching plays a decisive role in being a contributor to biodiversity loss. Due to this felonious act, the number of extinctions has increased dramatically over the past decades. It is necessary to understand that poaching is not only about the uncontrolled killing of protected animals or endangered animals but any unlawful killing of animals.

Smuggling of elephant tusks

In India, poaching of elephants is very common and a major challenge to be combated. Ivory trade is in high demand mostly in the Asian countries. About 20,000 elephants are mercilessly killed every single year for their tusks. These ivory tusks are then smuggled in the international markets to eventually end up as ivory trinkets.

Ivory trade has been in practise for millennia. In the 14^th century BCE, the exportation of ivory and slaves from Africa and Asia were done extensively. The freshly captured slaves along with the tusks were sold. The ivory was then used to make ornaments and aesthetically pleasing commodities.

On July 6, 2016, a complete ban on commercial trade in African elephant ivory went into effect in the United States. The African elephant population has decreased dramatically. Near about 350,000 elephants are left in Africa, as per 2019 data. It is quite shocking to know that 10,000 to 20,000 elephants are slain every year. Elephant numbers have dropped by 62% over the last decade, and if not brought under control, then they’ll be extinct by the end of the next decade.

Major countries where these tusks are sold

China is the biggest consumer market for ivory products. However, a ban was enforced on ivory trade by China in the year 2017. But it is evident that ivory is in high demand in many countries. Illegal selling of ivory is still rampant. In the year 2011, a whopping amount of 100kg of ivory was seized by Tanzanian officials. That same year several countries including Tanzania and Kenya seized a total of 17 ivory shipments weighing 800 kg.

According to surveys and in-depth interviews the demand for ivory is known to be concentrated in: China, Thailand, Vietnam, the Philippines, and the United States.

Last year, about 8.8 tonnes of ivory items were seized in Singapore.

The adverse effects of tusk-removal on the elephants

I am sure that we have all seen the majestic elephants flaunting big, off-white tusks on either side of their trunks. These tusks are both beautiful on the elephant and of utmost importance in the species’ survival.

Many poachers claim that there are no after effects of tusk-removal. Either the elephants are killed or sedated before removing their beautiful tusks.

An elephant’s tusk is deeply embedded in its skull. When the tusks are removed, there is a big hole left afterwards. The hole is big enough to stick your arm into it. If the tusks are removed at the point where it protrudes from the head, the nerve is exposed. Either way, now the wound is open and vulnerable to all sorts of infection. So, even though the elephant remains alive it is still at risk. Now, suppose there is an ivory poacher. Any poacher will want as much ivory as he can acquire with as little risk as possible. If he opts for the removal of the tusk completely, he/she will have to completely sedate or kill the elephant, because of little time and the fear of getting caught.

But is it just the elephants?

The answer is a ‘Big No’. Ivory has been valuable since ancient times in art and manufacturing a range of items and artefacts. Though elephant ivory is the most important source, ivory of walruses, mammoth, killer whale, sperm whale, hippopotamus, narwhal and warthog are used as well.

The international and national trade of ivory of threatened species such as African and Asian elephants is illegal.

Read about ivory trade and other tusk bearing species at- https://en.m.wikipedia.org/wiki/Ivory_trade#:~:text=The%20ivory%20trade%20is%20the,resulting%20in%20restrictions%20and%20bans.

Why We Need Media Literacy

The presence of media in our lives is extensive. Take a look around you and observe all the various forms of media available. When are we not really surrounded by some form of media? According to Statista Research Department (2021), there are more than 143000 registered newspapers and periodicals across India. Around 210 million households own a television and 744 million users access the internet using mobile phones(Sandhya Keelari, 2021). There is a penetration rate of 54% for smartphones in India.

An important question arises in this age of saturated information and intense political situations – Are we as media literate as we should be? Before coming to the importance of media literacy, let us look at its proper definition. Media literacy has been defined as the ability to access, analyze and evaluate the power of images, sounds and messages which we are now being confronted with daily and are an important part of our contemporary culture. It also refers to being able to communicate competently in media available on a personal basis. Media literacy basically refers to how much a person can identify the different types of media and understand their messages. These can be television, radio, print, advertisements, memes, video games, etc. Understanding the objective or goal of the author/creator of a media is the basis of media literacy. Media literacy is an essential topic of study, particularly for the youth, for the following reasons:

For Gaining Right Information:

Media literacy helps you access and understand new information, ideas, and perspectives. Media helps us collect data which can be very useful for school or work. A common example is how all students now go to the internet first when a project or presentation work is given to them. It helps them find out what they had missed before.

However, we must also be able to understand when inaccurate or wrong information is presented to us. As the media bombard us with information from all sides, finding the right data may be difficult. Media literacy helps us identify reliable sources. While misinformation has been a prevalent issue for years, it has become even more evident during the lockdown periods of the COVID-19 pandemic. Misinformation has caused both minor and major social and health issues in the country. Misinformation refers to wrong or inaccurate information spread unintentionally. A vast majority of forwarded messages in your family groups on Whatsapp would fall into this category. Disinformation, on the other hand, is false information propagated intentionally. People must be made aware of the nuisance of misinformation and disinformation. They should develop a skepticism towards digital information but not to the extent that they lose their natural curiosity.

Critical Thinking:

We need to be able to critically analyze the media presented to us. This means that on watching a news report, we should understand how the reporter has framed the news and if there is an underlying purpose or bias in the report. Media literacy also helps us recognize how biased media can affect our perceptions of an event or issue. In a country like India, almost all the media we are exposed to can be politically-charged. Directly or indirectly, most newspapers, television channels and media houses are affiliated with some political group or their views. This bias is not right or wrong as long as it is not the deciding factor above everything. Whether it is right or not, we as consumers should be able to recognize various perspectives presented by the media and respond rationally. This also applies to social media posts. Someone who has good media literacy skills can spot paid promotions or advertisements on social media and television.

Media literacy is an area of education that should be given more significance in India. It should be taught so that on exposure to any kind of media, people can find the answers to the following queries on their own:

What is the correct source of this message?
What creative techniques are used to grab my attention?
How might different people understand this message from me?
What values and points of views are represented in or avoided from this message?
Why are they sending this message?

Organic Farming in India: The Future of Sustainable Agriculture

Introduction

The term ‘organic’ was first coined by Northbourne, in 1940, in his book entitled ‘Look to the Land’. In recent years, organic farming as a cultivation process is gaining increasing popularity . Organically grown foods have become one of the best choices for both consumers and farmers. Organically grown foods are part of go green lifestyle.

***Farmers*** showing their ***Organic Harvest***

Why Being Preferred These Days: The Importance of Organic Farming

Food quality and safety are two vital factors that have attained constant attention in common people. Growing environmental awareness and several food hazards (e.g. dioxins, bovine spongiform encephalopathy, and bacterial contamination) have substantially decreased the consumer’s trust towards food quality in the last decades. Intensive conventional farming can add contamination to the food chain. For these reasons, consumers are quested for safer and better foods that are produced through more ecologically and authentically by local systems. Organically grown food and food products are believed to meet these demands.

Organic Farming Process

Organic farming and food processing practices are wide-ranging and necessitate the development of socially, ecologically, and economically sustainable food production system. The International Federation of Organic Agriculture Movements (IFOAM) has suggested the basic four principles of organic farming, i.e. the principle of health, ecology, fairness, and care . The main principles and practices of organic food production are to inspire and enhance biological cycles in the farming system, keep and enhance deep-rooted soil fertility, reduce all types of pollution, evade the application of pesticides and synthetic fertilizers, conserve genetic diversity in food, consider the vast socio-ecological impact of food production, and produce high-quality food in sufficient quantity.

Principles of Organic Farming

According to the National Organic Programme implemented by USDA Organic Food Production Act (OFPA, 1990), agriculture needs specific prerequisites for both crop cultivation and animal husbandry. To be acceptable as organic, crops should be cultivated in lands without any synthetic pesticides, chemical fertilizers, and herbicides for 3 years before harvesting with enough buffer zone to lower contamination from the adjacent farms. Genetically engineered products, sewage sludge, and ionizing radiation are strictly prohibited. Fertility and nutrient content of soil are managed primarily by farming practices, with crop rotation, and using cover crops that are boosted with animal and plant waste manures. Pests, diseases, and weeds are mainly controlled with the adaptation of physical and biological control systems without using herbicides and synthetic pesticides. Organic livestock should be reared devoid of scheduled application of growth hormones or antibiotics and they should be provided with enough access to the outdoor. Preventive health practices such as routine vaccination, vitamins and minerals supplementation are also needed.

Types of Organic Farming

Organic Farming are of two types. Here are the two types of Organic Farming being performed in India.

(a) Pure Organic Farming – pure organic farming, there is avoiding every unnatural chemical. In the process of pure farming, fertilizer and pesticides obtain from natural sources. It is called a pure form of organic farming. Pure organic farming is the best for high productivity.

(b) Integrated Organic Farming – Integrated organic farming consists of integrated nutrients management and integrated pest management.

Organic Farming in India

Organic farming is in a nascent stage in India. About 2.78 million hectare of farmland was under organic cultivation as of March 2020, according to the Union Ministry of Agriculture and Farmers’ Welfare. This is two per cent of the 140.1 million net sown area in the country. A few states have taken the lead in improving organic farming coverage, as a major part of this area is concentrated only in a handful of states. Madhya Pradesh tops the list with 0.76 million of area under organic cultivation — that is over 27 per cent of India’s total organic cultivation area. The top three states — Madhya Pradesh, Rajasthan and Maharashtra — account for about half the area under organic cultivation. The top 10 states account for about 80 per cent of the total area under organic cultivation. Sikkim is the only Indian state to have become fully organic so far. Even though India has very small organic area under cultivation, in terms of number of organic farmers it is being ranked first. India has over 1.9 million farmers as of March 2020, which is 1.3 per cent of 146 million agricultural landholders.

Advantages of Organic Farming

Organic farming in India is very economical, it uses no expensive fertilizers, pesticides, HYV seeds for the plantation of crops. It has no expenses.

With the use of cheaper and local inputs, a farmer can earn a good return on investment. This is one of the most important benefits of organic farming in India.

There is a huge demand for organic products in India and worldwide and can earn more income through export.

Organic products are more nutritional, tasty, and good for health to chemical and fertilizer utilized products.

Organic farming in India is very environment friendly, it does not use fertilizers and chemicals.

Disadvantages of Organic Farming

Organic farming in India has fewer choices, and off-season crops are limited.

Organic agricultural products are low in the early years. Farmers find it difficult to accommodate mass production.

The main disadvantage of organic farming is the lack of marketing of the products and Inadequate infrastructure.

Future of Organic Farming in India

India is an agriculture-based country with 67% of its population and 55% of manpower depending on farming and related activities. Agriculture fulfils the basic needs of India’s fastest-growing population accounted for 30% of total income. Organic farming has been found to be an indigenous practice of India that practised in countless rural and farming communities over the millennium. The arrival of modern techniques and increased burden of population led to a propensity towards conventional farming that involves the use of synthetic fertilizer, chemical pesticides, application of genetic modification techniques, etc.

***Organic Farming*** leads to ***Sustainability*** and ***Holistic Growth***

Even in developing countries like India, the demand for organically grown produce is more as people are more aware now about the safety and quality of food, and the organic process has a massive influence on soil health, which devoid of chemical pesticides. Organic cultivation has an immense prospect of income generation too. The soil in India is bestowed with various types of naturally available organic nutrient resources that aid in organic farming.

***As per data collected from Government of India***

Conclusion

India is a country with a concrete traditional farming system, ingenious farmers, extensive drylands, and nominal use of chemical fertilizers and pesticides. Moreover, adequate rainfall in north-east hilly regions of the country where few negligible chemicals are employed for a long period of time, come to fruition as naturally organic lands. Organic farming yields more nutritious and safe food. The popularity of organic food is growing dramatically as consumer seeks the organic foods that are thought to be healthier and safer. Thus, organic food perhaps ensures food safety from farm to plate. The organic farming process is more eco-friendly than conventional farming. Organic farming keeps soil healthy and maintains environment integrity thereby, promoting the health of consumers. Moreover, the organic produce market is now the fastest growing market all over the world including India. Organic agriculture promotes the health of consumers of a nation, the ecological health of a nation, and the economic growth of a nation by income generation holistically. India, at present, is the world’s largest organic producers and with this vision, we can conclude that encouraging organic farming in India can build a nutritionally, ecologically, and economically healthy nation in near future.

Looking Back to Past: Vintage Kolkata in Photos

Introduction

Kolkata, also fondly know as “The City of Joy”, never ceases to amaze generations with its breathtaking beauty, not only with its metro city status of today’s India, but also in the days of past. In today’s editorial, we’re going to take glance at glimpses of Vintage Kolkata from the past.

Brief History and Importance

Kolkata’s recorded history began in 1690 with the arrival of the English East India Company, which was consolidating its trade business in Bengal. Job Charnock, an administrator who worked for the company, was formerly credited as the founder of the city; In response to a public petition, the Calcutta High Court ruled in 2003 that the city does not have a founder. The area occupied by the present-day city encompassed three villages: Kalikata, Gobindapur and Sutanuti.

Kolkata , also known as Calcutta (official name until 2001) is the capital of the Indian state of West Bengal. Located on the eastern bank of the Hooghly river, the city is approximately 80 kilometres (50 mi) west of the border with Bangladesh. It is the primary business, commercial, and financial hub of Eastern India and the main port of communication for North-East India .According to the 2011 Indian census, Kolkata is the 7^th most populous city in India, with a population of 45 lakh (4.5 million) residents within the city limits, and a population of over 1.41 crore (14.1 million) residents in the Kolkata Metropolitan Area. The Port of Kolkata is India’s oldest operating port and its sole major riverine port. Kolkata is regarded as the Cultural Capital of India.

Vintage Kolkata Album

Here we take a look at the vintage snaps of Kolkata’s most iconic places

Crossing of ***Harrison Street, Strand*** ***Road*** and ***Burra Bazaar*** **Area**

***The Hindustan Building*** on ***Central Avenue*** once served as the office of ***US Army***

***The Bathing Ghat*** of ***Hooghly River***

***Hustle*** in front of ***Calcutta Stock Exchange***

***The auspicious Kalighat Temple*** of ***Goddess Kali***

Conclusion

Though the time has changed, and history has taken many turns but the essence of Kolkata, has remained the same over ages. The Government has come forward to preserve the heritages of Kolkata, that have made the Bengal and Bengalis proud through decades. People are hopeful that this tradition follows down with the upcoming generations by passing love and the celebration of the beauty of Kolkata.

Water Crisis in India: The Present and The Future

Introduction

Water is the most essential element of life and livelihood. And India is having a hard time, coping up with the severe crisis of water. India constitutes 16 per cent of the world’s population, but the country has only four per cent of the world’s freshwater resources. With the changing weather patterns and recurring droughts, India is now declared as “water stressed”.

***Statistical representation*** of ***India***‘s ***Water Crisis***

Background

Archaeological researchers had assumed the fall of Great Indus Civilisation was due to a catastrophic water scarcity caused either by shifting rivers or by drastic climate change that forced people to abandon city settlements. And history seems to repeat for present day India again. According to a NITI Aayog report in 2018, about 600 million people, or nearly half of India’s population, are facing extreme scarcity of water. The three-fourths of India’s rural households do not have stable running water supply and rely on sources that can cause serious health risks. The report also stated that India has become the world’s largest extractor of groundwater, accounting for 25% of the total. Moreover, 70% of the water sources were labelled as contaminated .And the conclusion of the report was ‘India is suffering from its worst water crisis in its history.’ It also pointed out 21 Indian cities to be run out of groundwater by 2020.

Reasons behind Water Crisis in India

1. Climate Change : The North-East monsoon is responsible for 10%-20% rainfall of the total rainfall in India, while the South-West monsoon provides approximately 80% of rainfall. In 2018, the North-East monsoon decreased by 44% and the South-West monsoon was deficient by 10%, causing the total rainfall in the area to decrease by 36 percent in comparison to the 50-year average. Because of the lower rainfall, water levels in reservoirs across the country decreased and led to extreme shortages of water in many major cities of India

. 2. Ground Water Extraction: Groundwater meets more than half of the country’s need of water supply and nearly 89% of the groundwater extracted in India is used for irrigation purposes. The traditional techniques of irrigation are also to blame for the water crisis as they result in a majority of water loss and evaporation during the irrigation process.

3. Pollutions in Our Rivers: Due to the lack of long term water management plans, most of the country’s rivers either run dry or have remained polluted over decades. The national river of Ganges is also the one that is most severely polluted, which is mainly resulted from untreated sewage of densely populated cities, industrial waste as well as due to religious ceremonies in and around the river.

4. Wastage of Unmanaged Water : According to the Central Water Commission, even though climate change has resulted in a reduction in rainfall and lack in underground water reservoirs, the country still receives enough rainfall to meet the needs of over 1 billion people. However, India only catches only 8 percent of its annual rainfall due to poor rainwater harvesting. Also for lacking the treatment of wastewater reuse, approximately 80% of domestic wastewater is drained out as waste and ends up flowing into salt water bodies.

***Struggle*** for daily water collection in *water-stressed* areas of *India*

Effects of Water Crisis in India: Where We Stand Today

As many as 256 of 700 districts have reported ‘critical’ or ‘over exploited’ groundwater levels, according to a data from the Central Ground Water Board (2017). Fetching water in India has been perceived as a women’s job for centuries, especially in the rural areas. As groundwater resources come under increasing pressure due to over-reliance and unsustainable consumption, wells, ponds drying out fast, escalating the water crisis and placing even greater burden of accessing water on women. A rural woman in Rajasthan walks over 2.5 kilometres to reach a water source, according to a report by the National Commission for Women. Moreover, according to a non-profit named Water, women around the world spend a collective 200 million hours fetching water for their family. In addition to the time spent collecting water, millions may also spend significant amounts of time finding a place to go to relieve themselves. This makes up an additional 266 million hours lost each day. The acute crisis has even led to polygamy in one drought-prone village of Maharashtra. This involves having more than one spouse to collect water. The arrangement is termed as ‘water wives’.

The Solution to the Crisis: Future Stands

***Children*** also becoming victims of ***Water Crisis***

The Government has taken up the most important role to eradicate the crisis by forming the Ministry of Jal Shakti and launching “Jal Jeevan mission”- Rural in 2019 to promote “Har Ghar Jal” by 2024. Goa and Telengana have achieved the first two Indian states to reach “Har Ghar Jal“, while Andaman & Nicobar Islands and Puducherry became first Indian Union Territories to reach the milestone. In 2021, “Jal Jeevan mission”-Urban was launched to complement the project. “Jal Shakti Abhiyan-Catch the rain” is also introduced to capture and reuse of rain water at the grassroot level as a Jan Andolan. Along with this, for the cleaning and filtration of Ganges river “Namami Gange” had been rolled out as a national flagship mission. Coastal Reservoirs, Desalination of sea water and improved irrigation techniques are now been adopted to address the crisis.

Conclusion

Along with time, active participation from every layer of society in solving the water crisis of India is being witnessed. The youth has come forward with an appealing message to properly addresses the crisis and solve the drawbacks together. Now, the emerging awareness spreading among masses India can hope for a better future to handle the crisis more effectively.

Analyzing Alfred Hitchcock: The Psychological Genius Mind

Introduction

The movies of Alfred Hitchcock, seem to have a permanent place in both American and Global Cinematic history. He is a common topic to turn when discussing auteur directors, film history, suspense and psychoanalysis. His visual style is very distinct, the close-ups, subjective camerawork, unusual camera angles and the list goes on. Today, in this article, we intend to analysis the visual choices of Hitchcock’s most well known works including Vertigo, Rear Window and Psycho.

***Sir Hitchcock*** before the shooting for ***Psycho (1960)***

About Alfred Hitchcock

Sir Alfred Joseph Hitchcock (13 August 1899 – 29 April 1980) was an English filmmaker who was one of the most influential figures in the history of cinema. In a career spanning six decades, he directed over 50 feature films, many of which are still widely watched and studied today. Known as the “Master of Suspense“, he became as well known as any of his actors thanks to his many interviews, his cameo roles in most of his films, and his hosting and producing the television anthology Alfred Hitchcock Presents (1955–65). His films garnered 46 Academy Awards nominations, including six wins, although he never won the award for Best Director despite five nominations.

Techniques and Methodology of Hitchcock’s Works

Alfred Hitchcock’s attention to detail in his films is one of the many things that makes him one of the most recognized film auteurs of all time. He was very particular what about he wanted seen on screen and how he wanted to get those shots. From camera movements to the things found in the mise-en-scène, Hitchcock was very precise about every little thing that is seen in his on screen worlds. He would strategically place objects throughout the mise-en-scène and have characters wear certain clothing. By doing this, Hitchcock is able to let the audience know things about the characters and the plot without it having to be said on camera. Hitchcock once said that “If it’s a good movie, the sound could go off and the audience would still have a perfectly clear idea of what was going on” . To Hitchcock, the conversations in his films were not important. Visuals were of the utmost importance. He loved point of view shots, which showed a shot of the actor and then cut to a shot of what the actor was looking at in order to convey what the actor is looking at; pretty much, the Kuleshov effect.

***Sir Alfred Hitchcock*** on the set of one of his ***movies***

The soundtrack was extremely important to Alfred Hitchcock, as he managed to sync the music with the actions of the scenes. His most famous scene would be the shower scene in Psycho, where the orchestra is perfectly correlated with the murder. In his famous film, Hitchcock also incorporated the use of shot/reverse shot, a standard shot pattern that directors use to film conversations between two characters. In general, the actors avoid speaking directly to the viewer, because doing so acknowledges the audience’s presence and destroys the illusion of a naturally unfolding story. From panning shots, to tracking shots Alfred Hitchcock used his techniques in filming and editing in order to create great products that continue to intrigue audiences to this day.

***James Stewart*** as ***Jeff*** and ***Grace Kelly*** as ***Lisa Carol*** in ***Hitchcock’s Rear Window (1954)*** movie

Analysis of The Film “Rear Window” (1954)

The cinematography of Rear Window mainly focuses on the use of lighting and shadows. With the darkness and mystery of the film, Alfred Hitchcock was able to use his lighting to his best advantage. The light always is picking up on important symbols or messages in the scene. Such as the scene when the salesman finally comes into Jeff‘s room, the light only picks up on Jeff’s most valuable senses; his hands and eyes. Along with the lighting, the interesting angles are very common. Not only did it create suspense, it creates confusion and the viewer wants to see more. Mise en Scene was very important in this film, as all of the scenes happened in the same group of apartments. In the city of New York, everything is very tight because of the huge population. The use of the differently decorated rooms also created personality and character for the roles who didn’t even speak.

*Scene* from ***Hitchcock’s Rear Window (1954)*** movie

Although sound and music weren’t always in the film, it was there when it needed to be. The traffic and sounds of the city were placed delicately to remind the viewer of the area. The mix of piano from the songwriter in one apartment, from the screeching violins during nail-biting moments, created emotions for the viewer. Editing was evident everywhere, especially during a fight scene, or used very consciously during high suspense. The fades were apparent from day to day, which helped the viewer better understand the passage of time.

***Poster*** of ***Hitchcock’s Vertigo (1958)*** movie

Analysis of The Film “Vertigo” (1958)

Vertigo is a 1958 suspense thriller directed by Alfred Hitchcock, written by Alec Coppel and Samuel Taylor and based upon the 1954 novel ‘D’entre Les Morts’ by Pierre Boileau and Thomas Narcejac. Starring James Stewart, Kim Novak and co-starring Barbara Bel Geddes.

***James Stewart*** as ***John Ferguson*** and ***Kim Novak*** as ***Madeleine*** in ***Hitchcock’s Vertigo (1958)*** movie

Vertigo is a film which functions on multiple levels simultaneously. On literal level it’s a mystery suspense story of a man hoodwinked into acting as an accomplice in a murder, his discovery of a hoax, and the unravelling of the threads of the murder plot. On a Psychological level, the film traces the twisted , circuitous routes of a psyche burdened down with guilt, desperately searching for an object on which to concentrate its repressed energy. Finally, on an allegorical or figurative level, it is a retelling of a immemorial tale of a man who has lost his love to the death and in hope of redeeming her descends into the underworld, the most famous of these stories being that of Orpheus and Eurydice in Greek Mythology. Vertigo’s complexity however does not end with this multilevel approach to its tale, the film also succeeds in blurring the already fine line between objectivity and subjectivity . It takes the viewers so far into the mind of its main characters ( Scottie, played by Hitchcock veteran James Stewart), that audiences’ own objectivity, at least initially, is lost and replaced by complete identification with Scottie’s fantasies and obsessions.

***Anthony Perkins*** as ***Norman Bates*** in ***Hitchcock’s Psycho (1960)*** movie

Analysis of The Film “Psycho” (1960)

Hitchcock’s Psycho has been commended for forming the archetypical basis of all horror films that followed its 1960 release. The mass appeal that Psycho has maintained for over three decades can undoubtedly be attributed to its universality.

*Scene* from ***Hitchcock’s Psycho (1960)*** movie

In Psycho, Hitchcock allows the audience to become a subjective character within the plot to enhance the film’s psychological effects for an audience that is forced to recognize its own neurosis and psychological inadequacies as it is compelled to identify, for varying lengths of time, with the contrasting personalities of the film’s main characters. Hitchcock conveys an intensifying theme in Psycho, that bases itself on the unending subconscious battle between good and evil that exists in everyone through the audience’s subjective participation and implicit character parallels. The initial confrontation between Marion and Norman Bates is used by Hitchcock to subtly and slowly sway the audience’s sympathy from Marion to Norman. Hitchcock compels the audience to identify with the quiet and shy character whose devotion to his invalid mother has cost him his own identity. Upon the introduction of Norman, Hitchcock introduces the first of several character parallels within Psycho. The clash between Marion and Norman, although not apparent to the audience until the end of the film, is one of neurosis versus psychosis.

***Anthony Perkins*** as ***Norman Bates*** and ***Janet Leigh*** as ***Marion Crane*** in ***Hitchcock’s Psycho (1960)*** movie

The fear that Psycho creates for the audience does not arise from the brutality of the murders but from the subconscious identification with the film’s characters who all reflect one side of a collective character. Hitchcock enforces the idea that all the basic emotions and sentiments derived from the film can be felt by anyone as the unending battle between good and evil exists in all aspects of life.The effective use of character parallels and the creation of the audience’s subjective role in the plot allows Hitchcock to entice terror and convey a lingering sense of anxiety within the audience through a progressively intensifying theme. Hitchcock’s brilliance as a director has consolidated Psycho’s place among the most reputable and profound horror films ever made.

Conclusion

Alfred Hitchcock who has been entitled to the master of apprehension, suspense and fear, entices the audience to discern his unknown inner in a simulation over cinema curtain. Human, sets back his instincts for years; withholds sex and anger and wrap it in his inner depths where even is impenetrable for himself. But there is always probability of arising it in the society as a coarse event. Eruption of anger from sub-consciousness of Hitchcock’s characters brings along murder, crime and often imagination, tragic psychic disturbances. Anyone might be involved with the condition of these characters in real world. Most of Hitchcock’s movies create suspense in very first minutes of the show. The propensity to know arouses in him. He limits and draws attention of the audience to the film.Dark spaces, long and fearsome roads, deserted places and empty of habitat, are signs and symbols which sometimes refers to unaware and its inner events. Making use of sharp-pointed lines and thorn-shaped edges in locations and shades, which are taken from Gothic style, makes the movies horror and terror. Hitchcock through increasing vigilance, guides the audience toward making a powerful “ego” against incidents which mostly indicates determinism.

To Kill A Mockingbird: The Book Review

***Cover*** of ***To Kill A Mockingbird*** novel ***(1960)***

Introduction

To Kill a Mockingbird is a very popular modern classic by the American author Harper Lee, that narrates a coming-of-age story with a theme of social equality and prejudice. It was published in 1960 and was instantly successful. The unforgettable novel of a childhood in a sleepy Southern town and the crisis of conscience that rocked it. In the United States, it is widely read in high schools and middle schools. To Kill A Mockingbird has become a classic of modern American Literature, winning the Pulitzer Prize in1961 and was later made into an Academy Award-winning film, also a classic.

About The Author

Nelle Harper Lee (April 28, 1926 – February 19, 2016) was an American novelist best known for her 1960 novel To Kill A Mockingbird. Lee has received numerous accolades and honorary degrees, including the Presidential Medal of Freedom in 2007 which was awarded for her contribution to literature. She assisted her close friend Truman Capote in his research for the book In Cold Blood (1966). Capote was the basis for the character Dill Harris in To Kill a Mockingbird.

Storyline of The Novel

The novel follows the story of a black man in the 1930s, convicted for the rape of a white girl. It is written from the perspective of two young children and their confusion at topics like race and the discriminatory ways of adults around them. Despite been written in a child’s perspective, the story does not diminish the meaningful themes of the novel in any way. Even after 80 years of its publication, the book is still popular and highly relates to our society.

***Gregory Peck*** as ***Atticus Finch*** and ***Brock Peters*** as ***Tom Robinson*** in ***To Kill A Mockingbird*** movie(***1962)***

The story evolves around six-year-old Scout Finch is living in the small town of Maycomb, Alabama during the Great Depression. Raised by Atticus Finch, Scout and her brother, Jem, are very comfortable with Maycomb and understand the well being of their neighbours, except the house of the mysterious Arthur Radley, whom they obsess over. Half the book is basically about Scout, Jem, and Dill (their new friend) trying to lure Arthur Radley out of his house. However, when Atticus, a lawyer, decides to take the case of a black man named Tom Robinson, tensions become high and the trial to see whether Tom Robinson is guilty or innocent based on his crime and, especially, his skin colour is at stake.

Analysis of The Storyline

To Kill a Mockingbird focuses on that gut instinct of right and wrong, and distinguishes it from just following the law. Even the titular quote: “Shoot all the blue jays you want, if you can hit ’em, but remember it’s a sin to kill a mockingbird” is in itself an allegory for this message. Being in itself a generic message, the idea of ‘doing what’s right’ obviously has a different meaning depending on when and where you’re reading the book. If you take 1960, when the book was written, America was in a state of ethical development as social inequality was – very – gradually being overcome. Women’s rights and black rights movements were beginning to emerge and some campaigned through violence. Would Atticus Finch condone this?

In the 1930s, when the book was set, America was in the midst of the Great Depression. This was a time when economic difficulties meant that the American Dream was receding further and further away. We could consider that Atticus Finch felt that his own dream of an equal, morally decent society was also heading in the wrong direction.

Scene from ***To Kill A Mockingbird*** movie ***(1962)***

Criticism and Relevance of The Storyline

This 1960 novel is ahead of its time; carrying a message that is still needed by today’s world, Harper Lee’s debut novel is regarded as one of the best contemporary classics. Prejudice against the black community is the main theme of this novel. The lives of the main character revolve around this. Standing up for what’s right, defending the weak, swimming against the current; all these righteous acts comes at a huge price, sometimes even risking the lives and dignity of our loved ones. The novel gives us a strong message to the readers. It so skilfully presents the vulnerability of a minority community and how they fall prey to prejudice. The author very skilfully brings forth the sub of racism, that too very tenderly through characters who peacefully struggle against this evil. Harper Lee shows us that in every society, there are some people who would stay firmly at the side of justice, though they may face severe consequences.

Conclusion

Without denying the constancy of the moral message, and the pure ingenuity of the book, it’s still open to debate whether, as with all classics, schoolchildren should be forced to read the novel and go over it page-by-page. Therefore everyone who reads it can take something out of it which no one has before. Let it not be forgotten that a true piece of literature, like To Kill a Mockingbird, is meaningful in every period and that today, Atticus Finch’s message should be heard in the midst of all the global conflicts that we hear of on the news every day and night.

Howrah Bridge: The Living Heritage of Kolkata

Introduction

Howrah Bridge is an architectural marvel and a well-known Kolkata landmark. It has served as a backdrop for numerous movies since the 1950s, including a 1958 film named after the bridge. One can walk across the bridge and admire its unique construction or glide underneath while on a boat ride along the Hooghly River. With a central span of 1,500 feet (457 meters) between its two towers, this enormous steel structure is one of the longest cantilever bridges of its type in the world. Howrah Bridge extends across the Hooghly River, connecting the city of Howrah to Kolkata.

Historic Background

The construction of the Howrah Bridge was first proposed in 1862. The Government of Bengal wanted to build a bridge over the Hooghly River. They asked the Chief Engineer of the East India Railway Company to study the feasibility of the idea and come up with a proposal. But for several reasons, his proposal never materialised.

Later in the 1800s, a pontoon bridge or floating bridge was built between Howrah and Kolkata. But it wasn’t strong enough to handle the huge traffic between the two cities or to weather the frequent storms in the area. So the Bengal government continued to look for alternatives and, several decades later, the new bridge was finally commissioned. The contract to build it was awarded to a company called The Braithwaite Burn and Jessop Construction Company.The design of the Howrah bridge was made by Rendel, Palmer and Tritton and the bridge was constructed by Cleveland Bridge & Engineering Company. The construction of bridge was started on 1936 and ended in 1942. It was opened for the public transport on 3 Feb 1943. It was renamed as Rabindra Setu in June 1965 after the first Indian Nobel laureate Rabindranath Tagore.

The ***Act*** for the construction of ***Howrah Bridge***

Key Structure of The Bridge

The Howrah Bridge is a suspension-type balanced Cantilever Bridge. It has a central span of 1500ft between the main towers. The anchor and cantilever arms are 325ft and 468ft long, respectively.The suspended span has a length of 564ft. The main towers are 280ft-high above the monoliths and 76ft apart at the top. The bridge deck measures 71ft in width and features two footpaths of 15ft on either side.The super-structure is built up with riveted sections made of a combination of high tensile and mild steel. The bridge deck descends from panel points placed in the middle of the towers, which are located in the lower chord of the main trusses through hungers.The bridge deck consists of a 71ft carriageway and a 15ft pathway projected on both sides of the trusses and supported by a fascia girder.The carriageway outside the tower is backed on the ground by an anchor arm. The deck system includes cross girders suspended between pairs of hungers by a pinned connection. Six rows of longitudinal stringer girders are arranged between cross girders and floor beams support transversally on top of the stringers.These joints support a continuous pressed steel troughing system surfaced with concrete. Two main expansion joints are placed at the interfaces in the middle of the suspended span and the cantilever arms.Eight articulation joints exist at the cantilever arms and suspended portions and separate the bridge into segments by a vertical pin connection to allow the deck’s rotational movements. The bridge deck features a longitudinal ruling gradient at each end.The main tower is based on single monoliths with 21 chambers. The minimum vertical clearance for the carriageway is 5.8m and 8.8m for the river traffic.

Specialities of The Bridge: What Made It A Heritage

Constructed without nuts and bolts, the Howrah Bridge was formed by riveting the entire steel structure. The bridge officially opened in 1943 when it was the world’s third longest cantilever bridge. Today, it is the sixth longest bridge of its type in the world. The Howrah Bridge is also thought to be the world’s busiest cantilever bridge.

In 1946, in a census carried out, it said that the bridge saw a daily traffic of 27400 vehicles and 12100 pedestrians. In fact ages ago the bridge had also carried trams that left from Howrah station terminus. However, it seemed like the bridge could not take the weight of the heavy weight and hence running trams on the bridge was discontinued. Currently, the bridge can bear the weight of 60,000 vehicles only but it still carried almost 90000 vehicles daily. The bridge also has a separate foot path for pedestrians to walk.While the bridge remains one of the key attractions in the city, the Howrah Railway Station at its Howrah end is another site of much historical significance as the country’s oldest railway station. At the Kolkata end, the bridge ends right by the stunning and colourful Mallick Ghat flower market, one of the city’s most vibrant markets.

Cultural Significance of The Bridge

Since the beginning of its journey, the bridge has been featured in numerous Bengali Hindi even International films, such as Do Bigha Zamin (1953), Bari Theke Paliye(1958), Parash Pathar(1958), Howrah Bridge(1958), Neel Akasher Neechey (1959), China Town(1962 ) and Amar Prem (1971), Teen Devian(1965), Calcutta 71 1972), Padatik (1973), Richard Attenborough’s 1982 Academy Award winning film Gandhi, Paar(1984), Ram Teri Ganga Maili (1985) , Nicolas Klotz’s The Bengali Night(1988), Rolland Joffé’s City of Joy (1992), Florian Gallenberger’s Shadows of Time (2004), Yuva(2004), Parineeta (2005) and the list goes on.

Recent Renovations of The Bridge

The articulation joints at deck level were renovated in 2008, and the bridge was illuminated in colours of gold and magenta in November 2006.Bridge operator Kolkata Port Trust (KPT) invested Rs35M in the project for laying 13km of cable, 700 lights, a new control tower and a sub-station. Around Rs27.3m was spent on the maintenance of the bridge in 2005.The pylons, the steel-lattice inner structure, the under-deck and the pathway were fixed with white and the upper structure with blue LEDs. Painted in June 2005, the bridge required more than 26,500l of aluminium paint to cover 23,500t of steel, occupying a surface area of 2.2mm².Prime Minister Shri Narendra Modi launched the interactive light and sound show of the bridge in January 2020. The new Rabindra Setu decorative lighting features 650 power-efficient LEDs and spotlight fittings for programmable multi-colour lighting, including a music-syncing show.

Silhouette of ***Howrah Bridge*** at the time of Sunrise. Howrah Bridge is a bridge with a suspended span over the Hooghly River in West Bengal.

Conclusion

The surprising fact about this bridge is that, despite being such a heritage, it has suffered a lot of damage. And the damage is not only because of trams plying heavy load, but it is also because of human spit and bird excreta.The corrosion on the bridge is because of prolonged chemical reaction that has occurred because of continuous bird droppings. Calcutta Port Trust is currently in charge for the maintenance of the bridge. Along with the authority, the citizens should also be responsible for protecting the living heritage of our country.

Dhakis of West Bengal: Where They Come From and Where They Go

*Dhakis* playing *dhaks* in a **Durga Puja** pandal

Introduction

India is a country of rich cultural diversity and the essence of festivity for each Indian state is unique on its own. The main festival of the Indian state of West Bengal is Durga Puja, which is held during the auspicious Aashwin Durga Navtras in the months of September-October. During the festival the Mother Goddess is welcomed to her home on Earth with 9 long days of celebrations and joy. As a ritual of the festivity both her arrival and departure are rung by hundreds of thousands of “Dhaks” played by the professional drummers, locally called as “Dhakis”.

What “Dhaks” Are: How They Are Made

The word “Dhak” comes from the Austric word “Dhaka” included in the Sanskrit language. The word later became a part of the Bengali script. The dhak is a big membranophone instrument that originally belongs to South Asia. The dhak has become an integral aspect of the widely loved Bengali festival of Durga Puja, other Bengali rituals and festivities. It would have no festive aura if not for the maddening rhythm of the dhak. The dhak is beaten with two sticks loudly to infuse the frenzied beats into the listeners. These beats are enough to raise the spirits and conjure up the feel of the Durga Puja. Without the instrument, the heavily celebrated festival would have felt sombre.

The sound of the dhak depends on a lot of factors like the shape. The shape varies from almost cylindrical to barrel-like. On one hand, the outer portion of the wood is shaved off and carved to create the barrel shaped instrument. On the other hand, the inner side of it is made to be absolutely hollow.The two ends of the dhak are wrapped up with goat skin on the top and calf skin at the bottom. It is said that using these two types of hides bring out the perfect sound texture of the dhak. The manner of stretching the skin over the mouth of the dhak and lacing it is also an important factor in the kind of sound that will be produced. The more the strings on the side of the dhak are pulled the higher the pitch of the dhak gets. The two sticks that are used to beat the dhak are carefully chiseled and formed out of thin cane or bamboo. Because of the drying session of the wooden structure and the intricate handwork and decoration, it takes around one month to reach the perfection in making the instrument.

Who “Dhakis” Are: The Heritage follows

‘‘Dhakis’’ are integral to almost all festivities in Bengal but the art of playing the huge barrel-shaped membranophone instrument is considered as a staple of Bengal’s most celebrated Durga Puja. Most of the ‘dhakis’ or men who play the ‘dhak’ hail from humble rural backgrounds of Murshidabad, Hooghly, Malda, Bankura and Purulia districts of the state. Just like playing any other instrument that is highly associated with a centuries-old cultural heritage, the art of playing dhak, or the business of dhakis are often found to be ancestral and moving in the families since ages. The art of playing such instrument is considered as a living witness, bearing the tradition of the state of West Bengal. The art of playing dhak is passed on from one generation to the next though this art is gradually dying out and losing its focus. One of the reasons for this is the uncertain informal nature of this profession. They still teach the children to play the dhak is to preserve the culture and heritage.

Each part of Durga Puja rituals has a different and unique tune and beat of the dhak right from the arrival of the idols till their immersion. It is played when the idol enters the pandal and even when it exits the pandal on the last day of puja, Dashami. In fact, it is the deafening sound of the dhak that fills the air of immense celebration during the ‘Sandhya Arati’ on Ashtami. This ceremony is absolutely incomplete without the beats of the dhak. Along with that, the ‘Dhunuchi Nach’ is also an essential part where the dhak provides the musical rhythm to which people dance with the ‘dhunuchi’. Another popular tradition is the ‘Dhaker Lorai’ or ‘Fight between Dhaks’ where the grandeur is revealed the best when dhakis play in groups. It is usually a fascinating experience for the audience to see the feathered drums being played by the dhakis dancing to the music produced. Finally, on Dashami, the majestic beats of the dhak helps lift the air of sadness and gloom during the vermilion ritual and ultimately, the immersion.

Female artists too have now taken up the responsibility to revive the age old art of playing the dhak. In such a male-dominated profession where carrying the dhak is a major issue, women have proved themselves to be no less than their male counterparts. Teams of women dhakis are finding fame and getting established slowly in their fields.

COVID-19 and The Livelihood of Dhakis

The Impact The drop in the number of Durga Pujas in and outside Bengal amid the novel coronavirus outbreak has taken the rhythm out of the lives of many dhakis (traditional drummers) who look forward to this festive season as their main source of earnings in the year. Every year, the dhakis from different districts and villages of Bengal use to appear at Sealdah station premises before Durga puja. The dhakis used to play the drums in front of Sealdah station every year before puja. From there, various puja committees used to take them in the puja pandals to play the ‘dhak’. But for the past two years the situation is very different, as Puja Committees and Organizers are tight in budget and have to follow a lot of restrictions . Moreover, thousands of dhakis from Bengal districts like East Burdwan, Birbhum, Purulia, Bankura and Hooghly would in other years travel to states such as Assam, Maharashtra, Delhi, Uttar Pradesh to perform at Durga Puja pandals and get higher pay than what they would have got in their home state. But, COVID-19 has restricted that option too for these drummers in past years.

*Dhakis* at **Sealdah station, Kolkata**

Where Are They At Now: How We Can Help

Acknowledging the fact that, playing dhak couldn’t be considered as a stable profession and is more inclined to be an occasional source of performing art and earning money, most of the dhakis are often associated with other rural jobs like farming, weaving, fishing to support their livelihood. During Pandemic, the dhakis hope that though they could not travel outside Bengal, they were still lucky if they got calls from Bengal puja organisers. When budgets are low, organisers play recorded beats of the dhaki in pandals. However, several organisers in Bengal have decided to go ahead with dhakis to add the traditional fervour to festivities with the state government offering a dole of Rs 50,000 to each puja committee.

A group of *Women Dhakis* in front of **Goddess Durga idols**

Conclusion

Just like of everyday’s, MachhBhaat, Bengal ’s essence of festivity is incomplete without the rhythmic beats of Dhaks. Along with everyone one of us, they are also looking forward for a better situation in the upcoming years, while we can celebrate together the joys of life without fearing for the safety of our health . With the constant effort of the Government and the citizens together , hope we are going to reach that phase very soon.

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